lordmongrove
Justified & Ancient
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- May 30, 2009
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Anyone know why Aladdin, a middle eastern story is depicted as taking place in China in pantomimes?
Pietro_Mercurios said:Martin23 appears to be some sort of, 'social consumer web platform' spammer. .
I don't know, but I suspect, that China provided a more recognisable setting for the tale than the Arabian peninsula, a far-away place of which working class Brits in the golden age of panto would have had little or no knowledge.
On the other hand, paint your face yellow, wear one of those paddy-farmer hats and a pigtail, and speak in a chinkee-chonkee manner and everything makes sense. One foreign part being as foreign as any other. Rather like Shakespeare's version of France in As You Like It, where monkeys, lions and other exotic fauna are referred to as common. Most theatre-goers didn't have a clue, they just wanted an exciting tale set in foreign parts.
Apart from the bit about genies, which don't figure in Chinese mythology, but who would have cared about that, or even noticed?
martin_23 said:I find Aladin to be one of the best fictional princes. He is so handsome and brave, I wish I could meet him in real life. He would really sweep me off my feet.
So China was chosen as an exotic location at the edge of the known world; fascinating.Although Aladdin is a Middle Eastern tale, the story is set in China, and Aladdin is explicitly Chinese.[5] However, most of the people in the story are Muslims; there is a Jewish merchant who buys Aladdin's wares (and incidentally cheats him), but there is no mention of Buddhists or Confucians. Everybody in this country bears an Arabic name, and its monarch seems much more like a Muslim ruler than a Chinese emperor. Some commentators believe that this suggests that the story might be set in Turkestan (encompassing Central Asia and the modern Chinese province of Xinjiang).[6] It has to be said that this speculation depends on a knowledge of China that the teller of a folk tale (as opposed to a geographic expert) might well not possess,[7] and that a deliberately exotic setting is in any case a common storytelling device.
For a narrator unaware of the existence of the New World, Aladdin's "China" would represent "the Utter East" while the sorcerer's homeland in the Maghreb (Northern Africa) represented "the Utter West". In the beginning of the tale, the sorcerer's taking the effort to make such a long journey, the longest conceivable in the narrator's (and his listeners') perception of the world, underlines the sorcerer's determination to gain the lamp and hence the lamp's great value. In the later episodes, the instantaneous transitions from the east to the west and back, performed effortlessly by the Jinn, make their power all the more marvelous.
With a pedigree dating back to 1704, we can safely say that if anyone interfers with our Twankey, it's cultural appropriation!
Also, the history of the Rumpelstiltskin tale dating back some 4,000 years is simply mind-blowing!
This question has always puzzled me, whenever I see the pantomime.
The other characters are all Arabic, except presumably Widow Twanky; why is the story mostly set in China?
...China was chosen as an exotic location at the edge of the known world...
allegedly duping a doctor