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Charles Dellschau & The Sonora Aero Club

naitaka

Gone But Not Forgotten
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samuseum.org/exhibitions/focus/-6.html
This link to the San Antonio Museum of Art website is dead. See later post for its full original content.

"In 1899, Charles A.A. Dellschau was nearly 70 years old and about to embark on a project of a lifetime. One of thousands of Americans fascinated with flight in the 19th century, Dellschau spent his last 23 years creating more than 5,000 intricate drawings—an average of one every day and a half—of airships and collages of news clippings about aviation. In all, the long-time butcher drafted designs for more than eighty different aircraft, from all different angles. Complete with retractable landing gear, detailed motors, and sleeping quarters, Dellschau’s fantastical flying machines were drawn in flight as well as on the ground, and were often centered in a circus-like frame...

Certain questions about Charles A.A. Dellschau may never be answered. For example, inscriptions on the margins of his drawings indicate that the depicted aircraft were actually designed by members of a secret society known as the Sonora Aero Club, of which Dellschau was supposedly a member in 1857 and 1858 in Sonora, California.

Did the Club really exist, or was it an eccentric fantasy of a mind obsessed by flying machines?"
 
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Google turns up about 46 references to Sonora Aero Club, many referring to someone called Coleman Healey.

This one
Link is obsolete, and the URL now resolves to a probably toxic location.
See later post for the MIA content.


... is interesting, and the whole story will bear more investigation when I have more time. The club was secretive, and mayeven have bumped off one of its members who was about to reveal its secrets. Apparently they did build some 'aircraft'.
 
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This story has got me hooked! I've now read several pages of stuff on the S.A.C. There are differences in the stories about Charles Dellschau (1) and Coleman Healey (2), but they must refer to the same man, who died in Houston in 1923 aged 93, leaving at least 12 books of drawings (some may have been lost) of early flying machines.

The SAC was an offshoot of a society 'back east' called either
(1) NYMZA (New York Mechanical Zephyr Association?) or
(2) AAA (American Aeronautical Association?)

The main man, who knew how to produce the mysterious lifting gas/substance known as NB or Supe or Suppa, was called PETER MENNIS (1) or LUTHER BLISSET (2). It is suggested that the members may have deliberately used pseudnyms, but I also found that the books were rescued from a junkyard or sidewalk in 1967 by antiques dealer Fred Washington (1) or Ray Johnson (2)! It seems that Story 2 (which I found on two websites) may deliberately be concealing names.

Dellschau/Healy was reclusive in his later years, working on his books, for fear perhaps of the consequences of revealing what he knew. Another story tells of a lady whose grandfather may have been in the SAC, and he had many secret books. When he died, men turned up and removed all that stuff.

There are other fringey ideas - the Supe may have alien technology, the NYMZA may have been an Illuminati type secret society, and the 1890s airship flap may have resulted from a rediscovery of some Supe. (Mennis died, or disappeared, in the 1860s, apparently taking the secret of Supe with him.) Significantly, perhaps, Dellschau's aeronautical clippings never mentioned these airships.

Ah well, plenty more links to go!
 
The Luther Blissett version (what I called Story 2) may be a piss take of the Charles Dellschau story - it does occur on the LB website - http://www.lutherblissett.net/archive/282_en.html.
Alternatively, this is perhaps where this group found its name! (A high up in an illuminati style group...?)


But Dellschau, and his paintings and cryptic writings, seems real enough from all the other webpages devoted to him. The best overall view is http://www.rense.com/ufo2/airshipmyst.htm ,
but it's interesting to compare it with others, all of which have slightly different stories, dates and names. Even on this Rense link there's a couple of years discrepency between how old Dellschau told Immigration he was on arriving in the US from Brandenburg, and his age deduced from his birth certificate.

He served with the Confederate army in the civil war
...but probably as a civilian
...or maybe as a spy!

Several people have devoted years to researching him.
 
RE the Luther Blissett version; AAA is most probably the Association of Autonomous Astronauts...
 
I seem to Remember some articals about the "Sonora Aero Club" etal. they apeared on a cover CD of a computer magazine, if I remember correctly they were atributed to the "Keelynet"

Wm.
 
mmmmmm.... Keelynet -- definately an interesting alt-science resource. (BTW Keely seems like the same time frame and had tangental involvement with aeromachines)

The current web incarnation of the Keelynet alternative science BBS
 
rynner said:
Alternatively, this is perhaps where this group found its name! (A high up in an illuminati style group...?)

It's actually from the name of a footballer...
 
This may be of interest:

http://www.rawvision.com/back/dellschau/dellsc.html

extract:
'Sometime around 1850 a group of men who were interested in aeronautics met in a Sonora, California hotel to form the Aero Club, later renamed the Sonora Aero Club. The organization was financed by an even more mysterious society from 'back east' known only as NYMZA.'

Composed mainly of Germans and some Englishmen, the club was fanatically secretive about its activities, demanding that members abided by strict rules. A member who had threatened to publicize some of the group's discoveries apparently fell victim to a mysterious aerial explosion allegedly arranged by fellow club members. Navarro also believes NYMZA members had developed an anti-gravity gas, and that this supposedly light green substance provided the lift power for their designs. Research has failed to turn up any evidence conclusive enough to prove -- or disprove -- Navarro's theory, but Dellschau's work holds its own clues, suggesting that Navarro's hypothesis may have some validity.

Dellschau's drawings are often dated to the 1850s, some labeled 'Club Work,' others 'Sonora Aero Club.' One design, 'Untitled (4636)', is labeled 'Sonora, 1856.' Next to an Aero operated by three male figures 'Untitled (4558)' appear the words 'Callifornia, 1856.' A blue substance churns and drips through a tube from one chamber to another; ropes and pulleys appear to control the valve opening into the uppermost space. Similar experiments are found on other pages, such as 'Untitled (4534),' labeled 'Club Worck,' misspelled in typical Dellschau fashion, a design attributed to a 'Rex Weber' - whose name appears on additional plates, one of approximately sixty names that resurface throughout the books. The names sometimes appear above drawn figures who are identifiable by characteristic dress, hair color, and accessories. 'Mike Gore' appears in multiple plates with thick red side-whiskers, red umbrella, and white stovepipe hat. 'Peter Mennis,' in cowboy hat and boots, and often accompanied by a little dog, is also prominently featured.
 
That NYMZA thing is damn interesting. A lost piece of history. But I have never actually seen any pictures of that book, which makes me wonder if it really does exist.
 
samuseum.org/exhibitions/focus/-6.html
This link to the San Antonio Museum of Art website is dead. See later post for its full original content.

The MIA webpage can be accessed via the Wayback Machine:

https://web.archive.org/web/20030421225704/https://www.samuseum.org/exhibitions/focus/-6.html/

The illustrations of Dellschau's drawings are still MIA (they weren't archived).

Here's the full text of the museum exhibition blurb ...
Flight or Fancy?
The Secret Life of Charles A.A. Dellschau

May 11 – October 20, 2002

In 1899, Charles A.A. Dellschau was nearly 70 years old and about to embark on a project of a lifetime. One of thousands of Americans fascinated with flight in the 19th century, Dellschau spent his last 23 years creating more than 5,000 intricate drawings—an average of one every day and a half—of airships and collages of news clippings about aviation. In all, the long-time butcher drafted designs for more than eighty different aircraft, from all different angles. Complete with retractable landing gear, detailed motors, and sleeping quarters, Dellschau’s fantastical flying machines were drawn in flight as well as on the ground, and were often centered in a circus-like frame.

They were all numbered and dated, sometimes with lengthy inscriptions referring back to the years he spent in California after emigrating from his native Germany. The drawings were bound into 12 large notebooks and nearly lost forever.

After Dellschau’s death in 1923 at the age of 93, the notebooks remained in his family’s Houston home. A fire in the 1960s led fire department officials to order the house cleared of excess debris—a category into which Dellschau’s notebooks fell. An anonymous garbage collector salvaged the notebooks from a curbside heap and sold them to a second-hand shop, where they were found by an employee of art patron Dominique de Menil. Since then, the drawings have been included in numerous exhibitions of self-taught artists and acquired by such museums as the Menil Collection in Houston, the Museum of American Folk Art in New York, the High Museum of Art in Atlanta, the Philadelphia Museum of Art, and the Witte Museum here in San Antonio. They were also acquired by the San Antonio Museum of Art.

For the very first time, a selection of Dellschau’s drawings from the San Antonio Museum of Art’s permanent collection will be shown in an exhibition entitled Flight or Fancy? The Secret Life of Charles A.A. Dellschau. On view from May 11 through October 20 in the Focus Gallery, the exhibition features more than 40 of Dellschau’s drawings. Also included is one of the 12 notebooks Dellschau created to hold his drawings. This historically important object, once nearly lost forever, is a not-to-be-missed highlight of the exhibition. It is on loan from the Menil Collection in Houston.

While the exhibition presents the opportunity to peek into the mind of a visionary artist, certain questions about Charles A.A. Dellschau may never be answered. For example, inscriptions on the margins of his drawings indicate that the depicted aircraft were actually designed by members of a secret society known as the Sonora Aero Club, of which Dellschau was supposedly a member in 1857 and 1858 in Sonora, California. Did the Club really exist, or was it an eccentric fantasy of a mind obsessed by flying machines? We may never know, but we don’t need answers to appreciate Dellschau’s work. After all, each drawing demonstrates the admirable confidence and creativity with which ordinary people approach the process of invention. Each also serves as a delightful reminder of the fascination and enthusiasm felt for the project of flight more than a century before our own.

This exhibition is supported in part by grants from the National Endowment for the Humanities and the Joan and Herb Kelleher Foundation.
 
... This one
Link is obsolete, and the URL now resolves to a probably toxic location.
See later post for the MIA content. ...

The MIA webpage (whose now-toxic URL I'll not quote ... ) can be accessed via the Wayback Machine:

https://web.archive.org/web/20040627193801/http://www.neoism.net/substance_index_1.html

There are no copyright restrictions noted on the archived webpage. Here is the full text of the archived version ...

In the early 1920s, an elderly eccentric named Coleman Healy died in
Houston, Texas, leaving behind a number of homemade "books" containing an
estimated 7,000 pages of drawings and handwritten notations, all dealing
with aviation or aeronautics. In the late 1960s, Ray Johnson rescued a
number of the from a Houston dump.

The drawings in the old books depict strange and wonderful flying machines.
When combined with information gleaned from the accompanying writings and
annontations, many of them in a cryptic form that had not only to be
deciphered but also translated from German, they tell an almost unbelievable
story.

According to Healy's mysterious books, sometime around 1850 a group of men
who were interested in aeronautics met in a Sonora, California hotel to form
the Aeroy Club, later renamed the Sonora Aero Club. The organization was
financed by an even more mysterious society from "back East," which was
known only as A.A.A.. The local club was composed mainly of Germans and a
few Englishmen who were fanatically secretive about their efforts and
demanded that members abide by strict rules. In fact, shortly after one
member threatened to go public with some of the group's discoveries, he is
said to have fallen victim to a mysterious aerial explosion allegedly
arranged by some of his fellow club members.

If Healy's manuscript is to be believed, then the technical developments of
the club were made possible by the discovery of a gas, known only as "NB,"
which had the power to "negate weight."

Healy's elaborate drawings leave little doubt that any known gas could have
lifted such heavy and ponderous craft. In fact, the gas bags shown in some
of the drawings appear to be too small to lift even a single person, much
less the craft and the equipment on board. Thus, Healy's mysterious NB gas
mus have represented a truly remarkable discovery indeed, perhaps even
involving some sort of anti-gravity substance.

According to Healy, who spent the last 20 years of his life composing these
elaborately illustrated books while living as a recluse, several "Aero"
designs were actually built, test-flown and then dismantled so that their
secrets would be kept. His notations also state that two of the craft were
"in storage" when they were destroyed by fires that ravaged the town of
Columbia, located just a few miles from Sonora. This checks with historical
sources, which indicate that the town was indeed destroyed by fires on both
of the dates given by Healy. And although only a few actual historical
records have been found of the more than 60 people mentioned as having been
members of the club, there is such a wealth of data about events which match
historical facts that one must conclude that at least Healy must have been
quite familiar with the area described and very likely lived there as
claimed.

It is also possible that some of the names mentioned in his accounts are
pseudonyms, or "brotherhood" names used by club members to cover their real
identities--a practice that was quite common in the 19th-century secret
societies.

As for the craft (or "Aeros" as they were called), it is entirely
conceivable that such could have flown, if and when NB gas was employed as
the lifting agent. Unfortunately, the means of its production were lost in
the early 1860s after Luther Blissett, the key man in the organization and
the only one who knew the secret of the gas, either disappeared or died.

Luther Blissett referred to his NB gas as "Supe." In Healy's drawings, it is
depicted as a light green liquid, which was droppped onto the top surface of
a hollow roller (in later versions a half-drum with teeth or cone-like
protusions sticking out from the interior wall). Among these projections was
a black, lumpy substance resembling coal.

The Supe was gravity-fed onto the drum, where it mixed with the air and
various other substances present and became converted into a "hot" gas
(always depicted in pink). This NB gas was then used to drive the machinery
on board, including wheels for land travel, paddles for water, and
compressor motors for aerial navigation. From these it was fed into
relatively small gas bags for storage, with the excess being used for thrust
by means of remarkably advanced nozzles situated at various places fore and
aft for forward and reverse motion.

There appears to have been a constant grumbling because of Luther Blissett'
reluctance to divulge the secret of the gas. In one of his accounts, Healy
tells about Luther Blissett' own aircraft design, the Aero Gander (also
known as "the Goosey"), and of the disappointment felt by the other members
at this reluctance to share his secret formula with them. This account
(typical of Healy's fractured English) reads: "Now as the Goosey had been
used day and night, rain or snow, in still or boisterous weather... why did
Constant and Mischer [two other club members] grumble? Their idea of a
constant weatherproof Falleasy is as sure improvement, and as in them
days--the main object--to be able to cross the plain--and avoid Indians--or
whuite [sic] mans attacks makes Constant come very near, but Luther Blissett
would sell no Supe, and they could not make it themselves. They had to stay
on Earth."

Luther Blissett evidently either disappeared or died (perhaps murdered
during an internecine squabble that eventually split the group) sometimes in
the early 1860s, leaving surviving elements of the club without motive
power. They continued to design Aeros for several years thereafter, but
apparently broke up when nobody could rediscover the secret formula.

Under dozens of drawings there is the statement, "Luther Blissett you are
not forgotten" and the frequent bemoaning "No More Supe."

Motive power notwithstanding, many of the Sonora Club Aeros employed a
variety of remarkable "modern" ideas, such as hydraulic, pneumatic and
retractable landing gear, shock absorbers, inflatable pontoons for landing
on water, hot gas/air jets for thrusting, powered wheels for moving on land,
and even parachutes and other safety devices for emergencies. Two different
tyoes of landing and search lights were also shown.

Healy himself came to Texas sometime in the early 1870s. For a time he lived
in Brenham, moving to Houston about 1880 to become a sales clerk. In 1890,
he left town for several months. When he returned, he was a changed man:
nervous and fearful. He became a janitor in a store, spending most of his
time in the stockrooms and loft.

Eventually he quit working altogether and stayed in his room, not leaving it
even to eat, and complaining that he feared for his life.

It was also after his return from his mystery trip that he began drawing and
writing the story of the Sonora Aero Club and A.A.A.. Although his writings
do not reflect the near paranoia that he obviously experienced, they do
indicate that some of the club's members met deaths that could not be
attributed to mere accidents, and that this had come about because of their
penchant for talking too much or because they tried to personally profit
from the club's work.

From reading his books, one gets the impression that he wants to tell the
world about the club, but is afraid to do so and thus employs ciphers,
acronyms, broken English and German, and other "hidden ways."

"You will--Wonder Weaver--" he writes, "you will unriddle these writings.
They are my stock of open knowledge. They--will end like all others---with
good intentions, but too weak-willed to assign--put to work."

Did A.A.A. and the Sonora Aero Club really exist, or were they merely
visions in the fevered brain of a crazed eccentric? There are many more
mysteries here than we have space to write about.
 
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Secret book of flying machines

http://www.messynessychic.com/2013/06/2 ... d=noscript

Weird book uncovered

I'm not suggesting any connection by mentioning this, but I couldn't help but notice a general similarity between the airship operator pictured in this Dellschau artwork:

dellschau6.jpg

... and the figure of Pakal (Mayan monarch), whose depiction on his sarcophagus lid is more widely known as the Palenque Astronaut.

Pakal-PalenqueAstronaut.jpg
 
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