I am a meat popsicle
- Sep 18, 2001
- Reaction score
- Inside a starship, watching puny humans from afar
Errementari, my dear Watson?
Here they are in their gory glory:
The Dracula set : https://taint-the-meat.com/2015/07/20/top-trumps-dracula/
The Devil Priest set : https://taint-the-meat.com/2015/06/19/top-trumps-horror-cards-devil-priest/
...Based on a Basque folk tale, ”Patxi herrementaria,” collected by priest, archaeologist and anthropologist José Migel de Barandiarán in 1903, the story is set in the Basque region in 1845, in a universe inhabited by mythological diabolic creatures, battling to capture the souls of the unwitting....
Inspired by a large supermarket development in Cardigan, RE-TOLLED draws on imagery of the Mari Lwyd and other folk ritual in an attempt to manifest the 'spirit' of the land. As trees are felled and the landscape altered, the reverberations are felt deep in the earth, disturbing creatures that are now only remembered in folk memory.
Finally got a copy of Scarred For Life the other week, started reading it and it's really good, looks into so many great programmes from the era, and it's a massive book at 740 pages! Highly recommended to anyone interested in folk horror.Feels like a very personal nostalgia book for me .. I was born a Fortean clearly !
Apologies if this has already been mentioned, but the awesome "Diving Belles" by Lucy Wood is a definite contender IMO. Yes, all the stories have ancient lore as a backbone, but she does an amazing job of weaving modern vignettes around them. There's also a pleasantly eerie atmosphere running through the whole book which is hard to pin down.
Folk horror, a history: from The Wicker Man to The League of Gentlemen
By Ben Myers
26 July 2017
In 1801, the proportion of the population of England and Wales living in towns and cities was just 17 per cent, but by the close of that century, as landowners were displaced and industry boomed, it had jumped to 72 per cent. The most recent UK census showed that 81.5 per cent of the population of England and Wales now live in urban areas, with less than 10 per cent residing in what would qualify as villages or hamlets.
This mass movement from agricultural to post-industrial life has detached us from the land that fed and clothed us for thousands of years, with the countryside becoming increasingly alien territory, avoided or misunderstood by those who have little contact with mud, dead animals, or the stench of excrement. Such urbanites have scant knowledge of farming or food production and patronise ancient local traditions. They are unnerved by the space, the silence. They fear their countryside, their own past.
The Ghoul review – a pleasingly perplexing enigma
An occult plot is discovered in Gareth Tunley’s terrific shoestring debut as writer and director. Or is it all in the hero’s mind?
Sunday 6 August 2017 08.00 BST
First time writer/director Gareth Tunley marshals the meagre resources of this micro-budget psychological thriller and creates a pleasingly perplexing enigma of a movie. Tom Meeten stars, face desolately etched, eyes darting, as Chris, a man whose therapy sessions unearth an occult plot that may or may not be all in his chaotic mind.
As many of us love the genre, I thought we could do with a separate dedicated Fortean Culture thread for all folk horror related TV, film, radio and book recommendations, rather than keep posting video links etc., to the Folk Horror thread over on General Forteana.
To get us started...
The Black Tower (1985-87)
A traveling minister and his wife are quietly menaced by a devil cult in the Old West. By the time the Good Reverend figures out what's going on it may be too late to stop the evil.
The Forgotten: Raoul Servais' "Harpya" (1979)
In Raoul Servais' macabre animated Harpya. a bourgeois bachelor is persecuted by a malign bird-creature. Forever.
David Cairns 19 Oct 2017
OK, this film isn't forgotten. It's extremely well-remembered by enthusiasts of European animated shorts. I'm just assuming that means most of us haven't heard of it. It's the most celebrated work by Belgian filmmaker Raoul Servais, but has a haunted, Eastern European feel reminiscent of Jan Švankmajer's sinister pixillations.