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- An Eochair
The tooth, the whole tooth and nothing but the tooth!
The tooth, the whole tooth and nothing but the tooth!
He is really great in The Hole In The Ground.James Cosmo is always worth watching imnsho. Also a nice man when buying books from the Oxfam Book Shop where I used to volunteer.
and pretty much everything else he's been in.He is really great in The Hole In The Ground.
Where did you find this Ramon?Border (Gráns): A film which might best be described as Swedish Folk Horror as it mixes tropes of Trolls and Changelings with everyday Human Horror. Tina (Eva Melander) is different, she has a somewhat neanderthal appearance but also possesses strange talents. She works as a Customs Officer and can literally sniff out out wrongdoers, whether they are smuggling alcohol, drugs or other contraband. She literally becomes aware of their sense of fear and guilt. One day she meets someone who looks as odd as herself passing through her Customs channel, a man called Vore (Eero Milonoff). They sniff at each other and thus begins what might be a beautiful relationship or a nightmare.
This is the story of another species of Human or perhaps something far stranger, it depends on whether you view the film as Science Fiction/Horror or Fantasy/Horror. Tina and Vore are closer to nature, they run naked through forests and swim in lakes, have a relationship with animals that allows them to commune. They fear thunder storms, seem to attract lightning. But the story takes a far darker as Vore doesn't just want to make more little Trolls, he also has a lust for vengeance. To make humanity pay for driving Trolls to the point of extinction. There are also some extraordinary gender-bending episodes in Border and an intriguing explanation for the nature of Changelings is proffered.
Moving performances by Melander and Milonoff as they explore their angst, loss and alienation. A disturbing but powerful film which will make you think about the nature of differences and what constitutes a Monster. Director/Co-Writer Ali Abbasi delivers an original contribution to the Troll Film Genre. 9/10.
Border is showing at the Irish Film Institute, Dublin, I wrote the review.Where did you find this Ramon?
I'm pretty damn sure that this one was shown in some mainstream cinemas in Moscow! I saw the trailer for it and was intrigued. I didn't bother however - I mean it's hard enouigh watching a film in original Russian without watching one in Swedish and dubbed into Russian!Border (Gráns): A film which might best be described as Swedish Folk Horror as it mixes tropes of Trolls and Changelings with everyday Human Horror. Tina (Eva Melander) is different, she has a somewhat neanderthal appearance but also possesses strange talents. She works as a Customs Officer and can literally sniff out out wrongdoers, whether they are smuggling alcohol, drugs or other contraband. She literally becomes aware of their sense of fear and guilt. One day she meets someone who looks as odd as herself passing through her Customs channel, a man called Vore (Eero Milonoff). They sniff at each other and thus begins what might be a beautiful relationship or a nightmare.
This is the story of another species of Human or perhaps something far stranger, it depends on whether you view the film as Science Fiction/Horror or Fantasy/Horror. Tina and Vore are closer to nature, they run naked through forests and swim in lakes, have a relationship with animals that allows them to commune. They fear thunder storms, seem to attract lightning. But the story takes a far darker as Vore doesn't just want to make more little Trolls, he also has a lust for vengeance. To make humanity pay for driving Trolls to the point of extinction. There are also some extraordinary gender-bending episodes in Border and an intriguing explanation for the nature of Changelings is proffered.
Moving performances by Melander and Milonoff as they explore their angst, loss and alienation. A disturbing but powerful film which will make you think about the nature of differences and what constitutes a Monster. Director/Co-Writer Ali Abbasi delivers an original contribution to the Troll Film Genre. 9/10.
Saw your post as I was just about to mention the film. I watched it last night after reading the positive review in the last FT. I really enjoyed it, reminded me of the British-Irish horror film, The Hallow (2015). I love gems like this, they are few and far between, but that makes it all the better when you find one. The locations used were excellent and atmospheric, I'm in rural Ireland now and thought it was the best time to watch it! Highly recommended.The Hole In The Ground: A great example of Irish Folk Horror.
What does the FT review say? I still haven'r received 377.Saw your post as I was just about to mention the film. I watched it last night after reading the positive review in the last FT. I really enjoyed it, reminded me of the British-Irish horror film, The Hallow (2015). I love gems like this, they are few and far between, but that makes it all the better when you find one. The locations used were excellent and atmospheric, I'm in rural Ireland now and thought it was the best time to watch it! Highly recommended.
They gave it 5 stars and in the reviewer's opinion, ''...not particularly original. But that's nit-picking: (...) this is already a contender for the best horror film of 2019.'' On the same page was a review of Border, which was awarded only 3 stars by the same guy.What does the FT review say? I still haven'r received 377.
Good review. Border is one of the most mesmerising things I've seen in ages. I was completely absorbed right to the end. Watch it.Border (Gráns): A film which might best be described as Swedish Folk Horror as it mixes tropes of Trolls and Changelings with everyday Human Horror. Tina (Eva Melander) is different, she has a somewhat neanderthal appearance but also possesses strange talents. She works as a Customs Officer and can literally sniff out out wrongdoers, whether they are smuggling alcohol, drugs or other contraband. She literally becomes aware of their sense of fear and guilt. One day she meets someone who looks as odd as herself passing through her Customs channel, a man called Vore (Eero Milonoff). They sniff at each other and thus begins what might be a beautiful relationship or a nightmare.
This is the story of another species of Human or perhaps something far stranger, it depends on whether you view the film as Science Fiction/Horror or Fantasy/Horror. Tina and Vore are closer to nature, they run naked through forests and swim in lakes, have a relationship with animals that allows them to commune. They fear thunder storms, seem to attract lightning. But the story takes a far darker as Vore doesn't just want to make more little Trolls, he also has a lust for vengeance. To make humanity pay for driving Trolls to the point of extinction. There are also some extraordinary gender-bending episodes in Border and an intriguing explanation for the nature of Changelings is proffered.
Moving performances by Melander and Milonoff as they explore their angst, loss and alienation. A disturbing but powerful film which will make you think about the nature of differences and what constitutes a Monster. Director/Co-Writer Ali Abbasi delivers an original contribution to the Troll Film Genre. 9/10.
The Hallow could have been far better IMHO. I want to watch it again though, as everyone else loves it. I thought the faeries were used as little more than stylised zombies in an escape flick. There could have been much more powerful use made of their malevolent intelligence and motivation drawn from the folk narrative. They're far more nefarious than the film depicts.Saw your post as I was just about to mention the film. I watched it last night after reading the positive review in the last FT. I really enjoyed it, reminded me of the British-Irish horror film, The Hallow (2015). I love gems like this, they are few and far between, but that makes it all the better when you find one. The locations used were excellent and atmospheric, I'm in rural Ireland now and thought it was the best time to watch it! Highly recommended.
https://en.wikipedia.org/wiki/The_Wind_(2018_film)A plains-woman is driven mad by isolation, as a supernatural force haunts the untamed lands where she resides.
Looks interesting. I'd heard of the Lillian Gish film, but never knew about the novel. West Texas could drive a person mad indeed.I watched an unusual film last night, The Wind (2018). Which I can only describe as a folk horror western. The story was interesting, but the film was a bit slow at times and didn't explain itself too much. I'm not certain but I think the film may have been inspired by a 1925 book of the same name by Dorothy Scarborough, which I always thought was a fairly obscure supernatural story. https://en.wikipedia.org/wiki/The_Wind_(novel)
Here's the brief wiki description of the film,
https://en.wikipedia.org/wiki/The_Wind_(2018_film)
I saw this a few years ago and really enjoyed it, thought it was a great story, highly recommended!Outcast:
What did you think about Cathal? Was he another type of magical practitioner? Did he come from another strange race?I saw this a few years ago and really enjoyed it, thought it was a great story, highly recommended!
Recorder set, sounds fascinating, thank you.Outcast: A mother, Mary (Kate Dickie) and her son Fergal (Niall Bruton) flee to Scotland and settle in a rundown estate on the outskirts of Edinburgh. They are pursued by others who believe that Fergal is an abomination and must be killed. On an Irish Traveller halting site Cathal (James Nesbitt) undergoes an excruciating tattoo ritual, this will enable him to slay the boy and will give him great power afterwards. Cathal is accompanied on his quest by Liam (Ciarán McMenamin) a ritual magician who will track the hidden pair and counter Mary's Spells. Mary is seen mixing her own blood into liquids and draws protective runes on the walls of their flat to conceal them from those who wish them harm. This is a world in which magic works and Mary uses words of power to confound an irksome housing officer.
A settled Romany girl Petronella (Hanna Stanbridge) falls for Fergal and their doomed relationship is central to the films development. Liam and Fergal have to get the permission of the Laird (James Cosmo) to continue their hunt in Scotland. Having secured it, Liam sacrifices pigeons to locate Mary and Fergal. On the Edinburgh estate a strange beast is loose and is gruesomely killing locals.
This is the story of those who believe they are part of an old race, most of which has departed this world, the remainder living in the shadows. Practitiones of magic live on but when a forbidden mating takes place the issue of that union must be hunted down and destroyed. A dark tale of folk magic, strange rituals, even necromancy and a monster. Great performances by all involved especially Nesbitt who doesn't realise that he is being used by greater forces rather than achieving his manifest destiny. Dickie is superb as the fiercely protective mother, she truly convinces as a Witch. Bruton and Stanbridge will scald your heart in their portrayal of the Star Crossed Traveller/Romany lovers.
The film is confusing at times though and it may also involve the coalescence/clash of two competing schools of magic. The Irish and Scottish accents are often difficult to comprehend. But director/co-writer Colm McCarthy delivers an engaging tale of Love and Horror. 8/10.
On Horror Channel,showing again on Friday 12th April at 12.25 AM.
I'm not sure but I took it that he was from another ancient race, but it doesn't give much away about their origins, which is good in some ways as the film allows you to use your imagination. This is another one of those horror/folk horror gems that come by once in a blue moon.What did you think about Cathal? Was he another type of magical practitioner? Did he come from another strange race?
I just watched it and was deeply impressed with the authentic depiction of the black magic. Great film. Loved everything about it. Thanks for the headsup.Recorder set, sounds fascinating, thank you.
https://pietersender.wordpress.com/...tion-to-folk-horror-in-the-work-of-kate-bush/it struck me suddenly that many people may not understand why this pop-star has such a hold on the hearts of those who grew up in a certain time, in a certain place, and why she is so indelibly linked with that particularly eccentric Englishness that is a core of folk horror. There is the same dark and capering glee in Kate’s work, a mindset that makes dressing up as itinerant monks to perform ‘Running Up That Hill‘ on Wogan seem perfectly normal, as there is in the concluding procession of The Wicker Man, as there is in Cotswold cheese-rolling and the fireworks of Lewes. There is the delight in sun-kissed mornings and the melancholy of mist-shrouded nights, there is the sadness of loss and the purity of love.