GNC
King-Sized Canary
- Joined
- Aug 25, 2001
- Messages
- 33,488
Good luck with that.![]()
I was an insufferable child...!
Good luck with that.![]()
Oh, ooops, I fell for itThe channel is fictional. Its a sort of folk horror thing with a really good 70s vibe. They made it look like it really was from that era. I recall tv in the 70s being just like this.
So great to see that again... and yes, we all did the "squirrel shit" version in the playground!
Kids used to sing 'What has a hazelnut in every bite? Squirrel shit!'
I do believe the song was sung by Bill Oddie.
Here are a few of the interesting ones:My name is Sky and I share stories about wellness, spirituality, and alternative lifestyle with the intention to inspire personal wellbeing, curiosity, adventure, and unity.
Based on true events, August 21, 1955 started out as a typical Sunday evening in Kelly, Kentucky Elmer "Lucky" Sutton (Elmer Sutton Jr.) and family were entertaining their friends Billy Ray (Nathan Austin) and wife June (Madison Kimrey). As the sun goes down the family soon finds out what can lurk in the darkness. Story by Geraldine Sutton Stith Original Score by Jeromy Ficklin Co-Producer Emad Al Qadi Director of Photography David G Baker Directed by Joseph Aguon Drake Produced by White Door Productions
The determination of occult textual identities has evolved beyond editing and interpreting of key texts, but rather tracing commonalities, typology, and cultural relevance to contemporary bibliographic sources. Particularly, it populates aspects of magical commerce, proprietary accumulation, and recognition of posthumous spaces. It has also revealed the marginalization and failure of scholarship to recognize specific voices in occult book history. In this brief webinar, Kim Schwenk traces the nature of occult identities formed through marginalia, provenance, and art and design in print, with an effort to advocate for diverse narratives. Kim will be using examples of inscriptions, bookplates, and design features, intrinsic to occult practices and identities. For catalogers, bibliographers, and bibliophiles, the conversation will outline the need for advanced bibliographic description and cultural context for ‘hidden’ creators and relationships within occult materials to empower collection development and collaborative scholarship. Kim Schwenk (MLIS) is a rare book cataloger at UC San Diego, Special Collections & Archives Library and an antiquarian bookseller with Lux Mentis, Booksellers. She has a specialization in American and European witchcraft history, history of early printed occult texts, and bibliographic studies of magical curses using plants and objects. She also is active in occult sciences and the occult book community both as a researcher and a practitioner. As of 2019, she is researching “occult ex libris,” otherwise known as “hex libris” or occult bookplates.