merricat
confused particle
- Joined
- Aug 2, 2013
- Messages
- 486
- Location
- UK
I am not sure whether this is the most appropriate section of the forum to post, so please excuse me if I have made a booboo!
I did a search but couldn't locate anything about her on the site, hence my post.
Jane Roberts wrote a series of books in the 1970's and beyond in which she claimed to channel dialogue with a personality named Seth. I'm sure most of you have probably heard of her work, but I only came across it a few years ago. I read The nature of Reality at the time and found many elements which resonated with me, although the writing style and interjections from her husband (who took notes on the 'sessions' in shorthand) a wee bit irritating.
Personally the 'channelling' element doesn't really concern me, I am more interested in the material itself, regardless how she came upon it. Some speculate about Roberts' mental health, or else flat out regard the work as fraudulent. But if the work was fraudulent, then what does that even mean exactly? If the material came from her own mind, so to speak, then it still has validity as a piece of work - ('fraud' would be an intention to mislead or be the result of misappropriating someone else's work). Similarly, the writings of Carlos Castaneda could be regarded as such, but would this take away from the value of the work itself?
I would love to hear your thoughts or opinions on this.
I did a search but couldn't locate anything about her on the site, hence my post.
Jane Roberts wrote a series of books in the 1970's and beyond in which she claimed to channel dialogue with a personality named Seth. I'm sure most of you have probably heard of her work, but I only came across it a few years ago. I read The nature of Reality at the time and found many elements which resonated with me, although the writing style and interjections from her husband (who took notes on the 'sessions' in shorthand) a wee bit irritating.
Personally the 'channelling' element doesn't really concern me, I am more interested in the material itself, regardless how she came upon it. Some speculate about Roberts' mental health, or else flat out regard the work as fraudulent. But if the work was fraudulent, then what does that even mean exactly? If the material came from her own mind, so to speak, then it still has validity as a piece of work - ('fraud' would be an intention to mislead or be the result of misappropriating someone else's work). Similarly, the writings of Carlos Castaneda could be regarded as such, but would this take away from the value of the work itself?
I would love to hear your thoughts or opinions on this.
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