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Psychic / Medium Levitation Photos (Colin Evans: London, 1938)

I'm starting to suspect he wasn't who he was portrayed as being, and not just because he was using a stage name.

There are multiple possible clues in the PsyPioneer article suggesting he was pursuing an agenda to test the limits of seemingly demonstrable powers. The problem becomes figuring out whose agenda he was actually pursuing (e.g.: the true believer's? the scammer's? the skeptic's? the debunker's? the photographer Isaac's? the stage magician's?).

For one thing, his portrait illustrates a face possibly disguised with a healthy beard, an extravagant moustache, and eyeglasses he only rarely wore during his appearances (and never when levitating).

The introductory text seems to treat him as different from other mediums of apparently remarkable ability, describing him as a university graduate with a keen interest in researching psychic / spiritualist phenomena.

He seems to have burst upon the scene in 1937, initially demonstrating the usual array of manifestations and trumpet levitations before moving on to the self-levitations for which he's usually cited.

He seems to have been atypically familiar with photographic technicalities and collaborated with Leon Isaacs in developing the "infra-red" camera techniques used to record his performances. He's the only medium (of which I'm aware) who had control over the camera that photographed him.

Other adherents who write about him seem to know him only from his presentations and performances, as if he kept to himself. Save for describing him as a university grad of unspecified real name, the only mention of his personal life relates to an isolated claim one of the women sitting beside him (on one occasion) was his unnamed wife.

I'm finding it harder and harder to construe him as simply a talented medium who quietly disappeared from the scene after receiving multiple critical reviews. I'm finding it easier and easier to suspect he was really doing something else for other reasons than establishing himself as a popular medium.

If you want to fictionalize it he's a talented magician/conjurer, who really isn't doing well on the Variety Circuit and decides to re-invent himself as a Medium as that's where the money after is. After some success in 1937 - 1938, he's more or less exposed as a fake, and takes up running a Magic/Joke Shop. Shortly after the start of the war the shop's shut down, when he's approached by a "man from the Ministry" who suggests that his talents could be of use in a specialist unit involved in deceiving the enemy...
 
Yes - I'd say that's a fair estimate (+ / -).
While that's quite a good jump from a standing start, it's well within the range of human capability. NBA basketball players have had their standing vertical jump measured in detail as part of the process of teams drafting them for some time. At one meter, Mr. Evan's jump would be on the high end of typical for that group, though that is of course amazing compared to that of a typical person. The record for an NBA player is around 1.25 meters/45 inches, and a jump of 40 inches is considered exceptional for that group of humans.
 
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While that's quite a good jump from a standing start, it's well within the range of human capability. NBA basketball players have had their standing vertical jump measured in detail as part of the process of teams drafting them for some time. At one meter, Mr. Evan's jump would be on the high end of typical for that group, though that is of course amazing compared to that of a typical person. The record for an NBA player is around 1.25 meters/45 inches, and a jump of 40 inches is considered exceptional for that group of humans.
He was jumping from a chair as well
 
I'm finding it harder and harder to construe him as simply a talented medium who quietly disappeared from the scene after receiving multiple critical reviews. I'm finding it easier and easier to suspect he was really doing something else for other reasons than establishing himself as a popular medium.
How absorbing... I wrote this in my notes last night and might be thinking along similar lines:

"Although simply jumping from his chair remains the default exp, just doesn't seem to... 'gel' as a complete solution.

Can't escape this instinct there is more to the entire scenario".

That expressed, I have come upon the following 2017 publication:

secrets-of-floating-mediums.jpg


Has this been referenced previously? Unless I've overlooked same, can't see any mention.

If not, it's available to purchase online as a .pdf file and I shall do so straight away.
 
With video below of his 48 inch vertical, the article also mentions this potential NBA player recorded a standing vertical jump over 40 inches. The world record is supposedly significantly higher. At our forums estimate of around 1 meter/3 feet, Mr. Evans could simply be an extraordinary jumper.

https://www.si.com/nba/2021/06/24/keon-john-breaks-vertical-jump-record-nba-draft-combine
The average chair is around 20 inches off the ground, so if he was jumping from it, to reach a height of 40 inches he would only have to jump 20 inches, which is much more achievable.
 
How absorbing... I wrote this in my notes last night and might be thinking along similar lines:

"Although simply jumping from his chair remains the default exp, just doesn't seem to... 'gel' as a complete solution.

Can't escape this instinct there is more to the entire scenario".

That expressed, I have come upon the following 2017 publication:

View attachment 41594

Has this been referenced previously? Unless I've overlooked same, can't see any mention.

If not, it's available to purchase online as a .pdf file and I shall do so straight away.
Looks like he’s doing an explosive fart after 6 weeks of constipation. But I’m no expert on the paranomal.
 
Has this been referenced previously? Unless I've overlooked same, can't see any mention.
One has duly purchased a .pdf copy.

Firstly, this isn't a book. At only 10 pages in length, we effectively have a pamphlet, outlining the author's views regarding Evans.

There is no new information we were previously unaware of.

Devin Knight expresses his unadulterated opinion that Evans merely jumped from his chair, citing evidence we have already discussed.

The publication also features explanation of a chair levitation illusion performed by Daniel Douglas Home.

Whilst the non-existant Evans revelations are a disappointment, we do have a couple of pages dedicated to an explanation of how, 'levitating in the darkness while holding the hands of witnesses' could be accomplished.

This is obviously of particular interest and I will address same separately, as I need to quote an immensely relevant previous post and it's perhaps tidier to keep that aspect of Evans' trickery apart anyway.

As will become clear, it's not the explanation of an identical illusion as reportedly performed by Evans, however, most definitely along the same lines.
 
If you want to fictionalize it he's a talented magician/conjurer, who really isn't doing well on the Variety Circuit and decides to re-invent himself as a Medium as that's where the money after is. After some success in 1937 - 1938, he's more or less exposed as a fake, and takes up running a Magic/Joke Shop. Shortly after the start of the war the shop's shut down, when he's approached by a "man from the Ministry" who suggests that his talents could be of use in a specialist unit involved in deceiving the enemy...

There is a real-life parallel: Jasper Maskelyne.

maximus otter
 
This photo accompanies the most detailed description (in that document) of any of Evans' levitations - one that was introduced and described as apparently being different from the others performed during that period.
http://iapsop.com/psypioneer/psypioneer_v10_n8_aug_2014.pdf
We require to visit this citation, in which we find a detailed account:

A séance with 200 people is reported at the Rochester Square Temple, London on Saturday March 12th 1938 published in the Two Worlds (March 25th).

There is a photograph of a
levitation with two ladies standing on a chair, which describes a levitation process:

The two ladies seated one each side of the medium then announced that he was “going up.” He seemed to float upwards from his chair, while they held his hands, until they had to stand on their chairs and stretch their arms upward to retain hold of his hands, which were drawn slowly but irresistibly right out of their reach, so that they had to let go—and a moment or two afterwards, sitters in different parts of the circle at some distance felt his feet drop fairly heavily (Mrs. Jackie Kruze said very heavily—others, not heavily enough to hurt them, but heavily enough and long enough to be distinctly felt and recognised) on to their heads and then float upwards again.

The two ladies who occupied seats next to his, and who had been holding his hands till he “floated” up beyond their reach, were then made to take each other’s hands, while still standing on their chairs in order to strengthen the power by completing a circle of linked hands.

At this point an infra-red flashlight photograph was taken, which proved to be a picture showing him apparently about to be returned to his chair, but in the meanwhile “suspended” some distance above it in front of the two ladies’ linked hands.

Immediately after the flash, the medium was felt separating the ladies’ hands and taking their hands again himself and a moment later falling downwards gently into his chair again".
(End)

In his publication, Devin Knight suggests:

HOW TO LEVITATE IN DARKNESS

Have someone you wish to impress sitting on your left. Sitting on your right is a trusted friend (confederate). Get a good hold on the person to your left so that he cannot let go. The room is then plunged into total darkness.

While the spirits manifest, you get your right foot on the seat of your chair and then your left foot so you are in a squatting position. Everyone still thinks you are sitting in the chair.

From that position, you secretly stand up slowly so that it appears like you are levitating.

(...)

“Don’t let go of my hand whatever you do,” you say.

After you reach a full standing position, place your feet on top of the table and squat there. Then start to stand up again. Your trusted friend places your chair secretly on the table, noiselessly of course, and carefully. The chair is fixed with rubber pads under the legs so that it will not make noise or slip.

Return to sitting in the chair. When the lights are turned out, your chair is on the table with you in it, apparently put there by the spirits!

In a dark room, anything goes".
(End)

It seems a reasonable appraisal of the general idea.

Now, this is something we could all try at home...

Conversely, there is that well known phrase, 'don't try this at home'.

Speaking from experience, I would go with the latter... you will just end up falling off the table in pitch darkness.

Interesting that Knight states,
"Sitting on your right is a trusted friend (confederate)", particularly as @EnolaGaia also observed:

"...the only mention of his personal life relates to an isolated claim one of the women sitting beside him (on one occasion) was his unnamed wife".

Word for today is 'subterfuge'.
 
Looks like he’s doing an explosive fart after 6 weeks of constipation. But I’m no expert on the paranomal.
I think you might be on to something here and begins to explain our seemingly missing component.

Ready...

Screenshot_20210703-075241.jpg


Steady...

Screenshot_20210703-075250~2.jpg


Go!

unnamed~2.jpg


The reaction from that lady at close left-hand-side, has been mistaken as related to the flashlight.

Le Pétomane medium?

No surprise therefore to just have confirmed online, that Joseph Pujol was in fact a contemporary of Evans.

Tell you who else would love this thread. :)

"There is not a physicist in the world who can perceive when a parlor magician palms off playing-cards".

Charles Fort, 'New Lands'.
 
Thank you for posting that detailed report. Here are some miscellaneous comments ...

First - some points concerning Evans' feet and shoes ...

I'm still wondering about the single mention (the LIFE magazine article) that Evans' shoelaces were untied. Why would he do this?

A related issue is whether he always wore lace-up shoes. Some of the photos of Evans strike me as indicating he could have been wearing non-laced shoes (e.g., loafers; formal slippers).

What's the relevance of his shoes? As the detailed account quoted above indicates, on this occasion (at least) Evan's feet knocked or tapped upon the heads of people sitting nearby - thus insinuating his feet were dangling from above.

On the page following the one quoted above is a report of another Saturday seance at the same venue, which refers to either the same event (above) or another held a week earlier. This report notes:
Before the séance, the medium had put on the soles of his shoes some luminous tape, so that it was quite easy to follow his movements in the dark.
(p. 249)
A separate report on the same seance also notes:
On this occasion, strips of gummed paper painted with luminous paint had been affixed to the medium’s shoes, outlining the shape of the feet, to make levitation easier off observation for sitters at a distance.
(p. 251)

Evans had also used luminous paint on the trumpets he employed in multiple events.

Interestingly, none of the accounts of the seance(s) quoted / noted here mention seeing or tracking the luminous tape affixed to the soles of Evans' shoes. Some isolated comments concerning the orientation of his feet while levitating suggest (but merely suggest ... ) this luminous cueing might have been the visible evidence upon which witnesses based their reported observations of his flying around 10 or more feet above the floor and circling up to at least two (seated) rows surrounding the inner circle from which he'd started and within which he'd end up.
 
Ready...
Steady...
Go!
The photos you used to illustrate this latest post also illustrate something that I can't help but consider the most damning evidence against Evans' levitations being "legitimate" / "authentic" - the fact that they're all the same in terms of his relative location, height above the floor, position slightly out in front of his chair, his upright and typically forward-leaning posture, and an overall appearance implying he is exerting or straining.

The two third-party reports indicate Evans levitated to an elevation on the order of 10 - 12 feet off the floor and moved around beyond the bounds of the immediate inner circle of seats. Why, then, does no one mention anything about the camera trigger cable he was holding in his right hand? How long was that cable, and how much extension did it afford him when floating around the crowd? Why didn't the cable brush against multiple audience members or possibly get tangled with one or more of them? How did Evans manage to always stay close enough to the fixed apparatus that he didn't pull the cable free or pull the camera (or flash unit?) down?

It strikes me that one reason all the photos are alike is because Evans' range of (actual) movement was quite limited - both by the crowded seating arrangement and by being tethered to the photographic apparatus.

This similarity among the photos is one of the reasons reviewers understandably scoffed at Evans' photos. However, Evans and his adherents had an explanation (excuse?) for why all the photos were snapped when Evans was essentially in the same location / position.

This explanation was that the flash of "infra-red" light allowing the photo to be snapped interrupted or disrupted the phenomenal dynamics and necessarily ended the levitation, forcing Evans to land on the floor. Evans himself mentions this excuse:
... The later photographs show me a considerable distance above the floor, with a clear view of and under my feet—in an attitude as if supported under the armpits by an invisible “life-belt.” Two “snags” would make the evidence of these photos slightly inconclusive if not taken in con junction with the “living” testimony of persons present.

One “snag” is that although I am frequently levitated to a very considerable height—often “bumping” against the ceilings of lofty rooms and halls, often alighting lightly with my feet on sitters’ heads and floating off again—the spirit operators will not permit the risk of injury by flashing the infra-red light till I am down to within three or four feet of the floor—a distance from which I can safely fall if the flash destroys the conditions of the phenomenon and abruptly ends the levitation, as it sometimes does.
(pp. 240 - 241)

Also:
The flash that is necessary to take the pictures always upsets the psychic conditions to the extent of causing him to fall.
(p. 249)

This version attributes his positioning to proactive control by the spirits / guides:
The guides, however, did not allow the flash of light necessary for the taking a photograph till he was brought down to a safer distance from the floor, when a photograph was taken showing him suspended in the air some distance in front of his chair and with his feet some feet above the floor, where he was apparently suspended for a moment motionless
(p. 251)
 
The photos you used to illustrate this latest post also illustrate something that I can't help but consider the most damning evidence against Evans' levitations being "legitimate" / "authentic" - the fact that they're all the same in terms of his relative location, height above the floor, position slightly out in front of his chair, his upright and typically forward-leaning posture, and an overall appearance implying he is exerting or straining.

The two third-party reports indicate Evans levitated to an elevation on the order of 10 - 12 feet off the floor and moved around beyond the bounds of the immediate inner circle of seats. Why, then, does no one mention anything about the camera trigger cable he was holding in his right hand? How long was that cable, and how much extension did it afford him when floating around the crowd? Why didn't the cable brush against multiple audience members or possibly get tangled with one or more of them? How did Evans manage to always stay close enough to the fixed apparatus that he didn't pull the cable free or pull the camera (or flash unit?) down?

It strikes me that one reason all the photos are alike is because Evans' range of (actual) movement was quite limited - both by the crowded seating arrangement and by being tethered to the photographic apparatus.

This similarity among the photos is one of the reasons reviewers understandably scoffed at Evans' photos. However, Evans and his adherents had an explanation (excuse?) for why all the photos were snapped when Evans was essentially in the same location / position.

This explanation was that the flash of "infra-red" light allowing the photo to be snapped interrupted or disrupted the phenomenal dynamics and necessarily ended the levitation, forcing Evans to land on the floor. Evans himself mentions this excuse:

(pp. 240 - 241)

Also:

(p. 249)

This version attributes his positioning to proactive control by the spirits / guides:

(p. 251)
Thinking about the shoe laces being undone and the luminous paint being used, i would guess that some sort of wire/fishing line was employed to attach his shoes to, to give the illusion of him floating above the heads of his audience, he would need to be able to remove his shoes to be able to do this, so having them unlaced would make that process alot easier and quicker.
 
Thinking about the shoe laces being undone and the luminous paint being used, i would guess that some sort of wire/fishing line was employed to attach his shoes to, to give the illusion of him floating above the heads of his audience, he would need to be able to remove his shoes to be able to do this, so having them unlaced would make that process alot easier and quicker.
Or he could have swung them by the laces above his head? It sounds ridiculous, but, in the dark and with a primed audience and if he's muttering things like 'going up' and about floating about....it would be enough to make them feel that he was above their heads.
 
Why, then, does no one mention anything about the camera trigger cable he was holding in his right hand? How long was that cable, and how much extension did it afford him when floating around the crowd? Why didn't the cable brush against multiple audience members or possibly get tangled with one or more of them? How did Evans manage to always stay close enough to the fixed apparatus that he didn't pull the cable free or pull the camera (or flash unit?) down?
Devin Knight's treatise, although brief, is perhaps becoming one of those occasions where at first there seems nothing of obvious significance within a document and then, on further reading, you begin to assimilate finer details.

On this very aspect, he comments:

Screenshot_20210703-102039.jpg


The two independent camera photographs of Colin Evans levitating were taken at nearly the same time [fractionally different times; NOTE the creases in his trousers]. They are taken at slightly different angles during the same large public séance in 1938. This séance was done in the total darkness. The photographs were taken with infra-red flash lighting. BUT NOTE his coat and trousers.

I am sure that Colin just jumped off the chair into the air, as he is holding a wire attached to the flash lighting to the camera for one and possibly the two cameras. If levitation had been taking place and the spirit world had lifted him, I would have expected the coat and the trousers to have been straight.

If he had been sitting down in a trance state as in any regular séance, I would have expected him to be either sitting on the chair being taken upwards or being taken upwards in a sitting down, bent at the knees stance or being in a straight clothed state [Trousers not crumpled and part way up his legs as if he had jumped up and was on the way down] which were the same as when stood on the ground.

ALSO NOTE the wire he is holding is shown in the left hand side photograph as being as it would be if thrown upwards NOT as being gently being taken up by the spirits. IF he was being taken up by the spirit world I would have
expected the wire to be either straight OR having a slight curve like a crescent with its downward part nearest the ground. It does not add up, it is obvious from the photographs that he simply jumped.
(End)

Your additional, thought-provoking observations, require further contemplation.

cub-chimpanzee-sitting-relax-nature-260nw-113688664~2.jpg
 
Two years ago I performed a series of "dark seances" as part of my Paranornal Experiment show. It was the best fun I have ever had performing and re-creating all of these old methods and seeing how amazingly effective they were (even with modern audiences) was amazing. I even fooled myself. However, we're touching on some methods I have used/use here so I'll bow out. The only thing I'll add is that the creativity, imagnation and ingeniuosness of these deceptions are what make the subject far more fascinating than anyone would believe.
 
Oh come on. The guy sat in the chair, got everyone to sing and make a noise in the dark, got up on the chair and jumped off it, taking his own picture while he did so.
The most accurate description of his fete:bthumbup:
 
Two years ago I performed a series of "dark seances" as part of my Paranornal Experiment show. It was the best fun I have ever had performing and re-creating all of these old methods and seeing how amazingly effective they were (even with modern audiences) was amazing. I even fooled myself. However, we're touching on some methods I have used/use here so I'll bow out. The only thing I'll add is that the creativity, imagnation and ingeniuosness of these deceptions are what make the subject far more fascinating than anyone would believe.
Yes exactly. How the thing was done is just as fascinating to the curious as the possibility of "real" events.
 
We require to visit this citation, in which we find a detailed account:

A séance with 200 people is reported at the Rochester Square Temple, London on Saturday March 12th 1938 published in the Two Worlds (March 25th).

There is a photograph of a
levitation with two ladies standing on a chair, which describes a levitation process:

The two ladies seated one each side of the medium then announced that he was “going up.” He seemed to float upwards from his chair, while they held his hands, until they had to stand on their chairs and stretch their arms upward to retain hold of his hands, which were drawn slowly but irresistibly right out of their reach, so that they had to let go—and a moment or two afterwards, sitters in different parts of the circle at some distance felt his feet drop fairly heavily (Mrs. Jackie Kruze said very heavily—others, not heavily enough to hurt them, but heavily enough and long enough to be distinctly felt and recognised) on to their heads and then float upwards again.

The two ladies who occupied seats next to his, and who had been holding his hands till he “floated” up beyond their reach, were then made to take each other’s hands, while still standing on their chairs in order to strengthen the power by completing a circle of linked hands.

At this point an infra-red flashlight photograph was taken, which proved to be a picture showing him apparently about to be returned to his chair, but in the meanwhile “suspended” some distance above it in front of the two ladies’ linked hands.

Immediately after the flash, the medium was felt separating the ladies’ hands and taking their hands again himself and a moment later falling downwards gently into his chair again".
(End)

In his publication, Devin Knight suggests:

HOW TO LEVITATE IN DARKNESS

Have someone you wish to impress sitting on your left. Sitting on your right is a trusted friend (confederate). Get a good hold on the person to your left so that he cannot let go. The room is then plunged into total darkness.

While the spirits manifest, you get your right foot on the seat of your chair and then your left foot so you are in a squatting position. Everyone still thinks you are sitting in the chair.

From that position, you secretly stand up slowly so that it appears like you are levitating.

(...)

“Don’t let go of my hand whatever you do,” you say.

After you reach a full standing position, place your feet on top of the table and squat there. Then start to stand up again. Your trusted friend places your chair secretly on the table, noiselessly of course, and carefully. The chair is fixed with rubber pads under the legs so that it will not make noise or slip.

Return to sitting in the chair. When the lights are turned out, your chair is on the table with you in it, apparently put there by the spirits!

In a dark room, anything goes".
(End)

It seems a reasonable appraisal of the general idea.

Now, this is something we could all try at home...

Conversely, there is that well known phrase, 'don't try this at home'.

Speaking from experience, I would go with the latter... you will just end up falling off the table in pitch darkness.

Interesting that Knight states,
"Sitting on your right is a trusted friend (confederate)", particularly as @EnolaGaia also observed:

"...the only mention of his personal life relates to an isolated claim one of the women sitting beside him (on one occasion) was his unnamed wife".

Word for today is 'subterfuge'.

So it's a variation on the Balducci levitation trick:

 
Devin Knight's treatise, although brief, is perhaps becoming one of those occasions where at first there seems nothing of obvious significance within a document and then, on further reading, you begin to assimilate finer details.
1625562190098.jpeg
Did Levitation actually take place?
If any person jumps up into the air, would it be true to say he, or she has reached levitation point, for the fraction of a second at the maximum height that they manage to jump, so that overcoming the push and pull effects of both forces become zero, until the inevitable down pull of forces kick-in with what we call the force of gravity?
i.e.
Jumping Man.jpg
 
So it's a variation on the Balducci levitation trick:

I freaked my wife out with that a few years ago - you've got to get the angle just right but it really does work.

The only other 'trick' I do is to stop my pulse in one arm but not the other, courtesy of a squash ball squeezed in the arm pit. That used to freak people out too...
 
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