My nephew came home from School one day and slyly announced to his parents that there's a Town in France where the naked Ladies dance. His father was actually proud of him in a nostalgic/rites of passage kind of way - which wasn't the reaction my nephew was expecting, given that he and his mates had only just invented the chant to shock.
And it goes to this tune:
The original lyrics are at least a little risqué, is there something inherently cheeky in the tune?The tune was written for the 1893 Columbian Exhibition in the White City, Chicago, which has some horrid Fortean connections!
It quickly became part of music's back-yard tangle of half-remembered things. Like a weed, it proved very robust, so I received it thus:
All the girls in Spain,
Do the titty in the rain.
When their tits hang low,
You can tie them in a bow.
When their skirts fly high,
You can see their sausage-pie.
As a poem, this raises a lot of questions . . .
Suffice it to say, I was fined a shilling of my pocket-money for repeating it in my mother's hearing!
She was engaged,
As a picture for to pose,
To appear each night,
In abbreviated clothes,
All the dudes were in a flurry,
For to catch her they did hurry,
One who caught her now is sorry,
Poor little maid.
The tune was written for the 1893 Columbian Exhibition in the White City, Chicago, which has some horrid Fortean connections!
It quickly became part of music's back-yard tangle of half-remembered things. Like a weed, it proved very robust, so I received it thus:
All the girls in Spain,
Do the titty in the rain.
When their tits hang low,
You can tie them in a bow.
When their skirts fly high,
You can see their sausage-pie.
I never knew that this was a REAL song. We just use to wave our arms around, like hula dancers, and just sing "na na na-na-na, na-na na-na na-na na ..." after singing "There's a town in France where the ladies wear no pants"And it goes to this tune:
Does anyone recall a chant similar to this?
I can recall a few of us primary school girls singing it, accompanied by a sort of hand-held, backwards and forwards skipping movement (like a wave coming in and out)....like dancing in and out in a fairly old fashioned ‘folky’ way.
A duke he came a-riding, a-riding, a-riding
A duke he came a-riding
Eye-tie-tiddly-toe.
And for the life of me I can’t remember any more verses but it went on for a long time, with many lines.
This was unlike many of our other songs at the time, and actually felt old fashioned to us. The year I recall would have been around 1982/3. North west. Uk.
Thought I'd bump this thread with a belated answer to @merricat. I DO remember this... just. I was at infant school in Lancashire and this is one of the things I remember playing when we weren't running round with our arms out pretending to be daleks.
Ok, this popped into my head, something that I recall an older friend singing when I was a child. We had horses and went riding together quite regularly, and whilst trotting along she often sang odd little rhymes and songs.
All I can recall of this one was something along the lines of "what are you going to do, punchinella little fella, little man".
It sounds truly insane! Still, I can hear the tune in my mind but obviously can't share this in text.
Has anyone any background or info about this?
I've located a few rhymes online but they seem short and aimed at today's children; perhaps a watered down, less scary version - although I recall the original having odd lyrics, a bit frightening. Perhaps she made it up!Sounds vaguely familiar. Maybe something to do with fairies?
Ok, this popped into my head, something that I recall an older friend singing when I was a child. We had horses and went riding together quite regularly, and whilst trotting along she often sang odd little rhymes and songs.
All I can recall of this one was something along the lines of "what are you going to do, punchinella little fella, little man".
It sounds truly insane! Still, I can hear the tune in my mind but obviously can't share this in text.
Has anyone any background or info about this?
Well I wan't expecting such an excellent result, thank you! This is fascinating. Glad I hadn't imagined it.Look who’s here,
Punchinello, Punchinella,
Look who’s here,
Punchinello from the zoo.
What can you do
Punchinella, Punchinello,
What can you do
Punchinella from the zoo?
We can do it too,
Punchinella, Punchinella,
We can do it too,
Punchinella from the zoo.
Who do you choose,
Punchinella, Punchinella,
Who do you choose,
Punchinella, funny you?
Hey, what ‘cha doing,
Punchinella, funny fella?
Hey, what ‘cha doing,
Punchinella, funny you!
What else can you do,
Punchinella, funny fella?
What else can you do,
Punchinella, funny you!
We can do it too,
Punchinello, funny fella
We can do it too,
Punchinello, funny you!
Choose one of us, Punchinella
Funny fella.
Choose one of us,
Punchinella, funny you!
https://www.songsforteaching.com/folk/punchinella.php
Part I: THE HISTORY OF PUNCHINELLA/PUNCHINELLO
From http://en.wikipedia.org/wiki/Pulcinella
"Pulcinella, Italian pronunciation: [pultʃiˈnɛlla]; often called Punch or Punchinello in English, Polichinelle in French, is a classical character that originated in the commedia dell'arte of the 17th century and became a stock character in Neapolitan puppetry.
His name, from Italian pulcino ('chick'), refers to his distinguishing feature: a long beaklike nose. According to another version, Pulcinella derived from the name of Puccio d'Aniello, a peasant of Acerra, who was portrayed in a famous picture attributed to Annibale Carracci, and indeed characterized by a long nose...
Always dressed in white with a black mask (hence conciliating the opposites of life and death), he stands out thanks to his peculiar voice, whose sharp and vibrant qualities produced with a tool called a swazzle contribute to the intense tempo of the show. Pulcinella often carries around macaroni and a wooden spoon. According to Pierre-Louis Duchartre, his traditional temperament is to be mean, vicious, and crafty and his main mode of defense is to pretend to be too stupid to know what's going on...
Many regional variants of Pulcinella were developed as the character diffused across Europe. In Germany, Pulcinella came to be known as Kasper. In the Netherlands he is known as Jan Klaassen. In Denmark he is Mester Jakel. Russian composer Igor Stravinsky composed two different ballets entitled Pulcinella and Petrushka, inspired by him. In Romania, he is Vasilache; in Hungary he is Vitéz László, and in France Polichinelle, while in the United Kingdom he inspired the character of Mister Punch of Punch and Judy."
https://pancocojams.blogspot.com/2013/09/the-changing-faces-of-punchinella.html
maximus otter
Sterling work Max, sterling work indeed.Look who’s here,
Punchinello, Punchinella,
Look who’s here,
Punchinello from the zoo.
What can you do
Punchinella, Punchinello,
What can you do
Punchinella from the zoo?
We can do it too,
Punchinella, Punchinella,
We can do it too,
Punchinella from the zoo.
Who do you choose,
Punchinella, Punchinella,
Who do you choose,
Punchinella, funny you?
Hey, what ‘cha doing,
Punchinella, funny fella?
Hey, what ‘cha doing,
Punchinella, funny you!
What else can you do,
Punchinella, funny fella?
What else can you do,
Punchinella, funny you!
We can do it too,
Punchinello, funny fella
We can do it too,
Punchinello, funny you!
Choose one of us, Punchinella
Funny fella.
Choose one of us,
Punchinella, funny you!
https://www.songsforteaching.com/folk/punchinella.php
Part I: THE HISTORY OF PUNCHINELLA/PUNCHINELLO
From http://en.wikipedia.org/wiki/Pulcinella
"Pulcinella, Italian pronunciation: [pultʃiˈnɛlla]; often called Punch or Punchinello in English, Polichinelle in French, is a classical character that originated in the commedia dell'arte of the 17th century and became a stock character in Neapolitan puppetry.
His name, from Italian pulcino ('chick'), refers to his distinguishing feature: a long beaklike nose. According to another version, Pulcinella derived from the name of Puccio d'Aniello, a peasant of Acerra, who was portrayed in a famous picture attributed to Annibale Carracci, and indeed characterized by a long nose...
Always dressed in white with a black mask (hence conciliating the opposites of life and death), he stands out thanks to his peculiar voice, whose sharp and vibrant qualities produced with a tool called a swazzle contribute to the intense tempo of the show. Pulcinella often carries around macaroni and a wooden spoon. According to Pierre-Louis Duchartre, his traditional temperament is to be mean, vicious, and crafty and his main mode of defense is to pretend to be too stupid to know what's going on...
Many regional variants of Pulcinella were developed as the character diffused across Europe. In Germany, Pulcinella came to be known as Kasper. In the Netherlands he is known as Jan Klaassen. In Denmark he is Mester Jakel. Russian composer Igor Stravinsky composed two different ballets entitled Pulcinella and Petrushka, inspired by him. In Romania, he is Vasilache; in Hungary he is Vitéz László, and in France Polichinelle, while in the United Kingdom he inspired the character of Mister Punch of Punch and Judy."
https://pancocojams.blogspot.com/2013/09/the-changing-faces-of-punchinella.html
maximus otter
Those are almost the very words that I recall! So a bit of a variation on the longer verses posted previously.I was taught to sing Punchinello as a dreary round at school in the early '70s.
Ho there Punchinello
Ho there funny fellow
Oh what can you, can you do?
Oh we'll do it, do it too
Oh Punchinello funny fellow
Oh Punchinello funny do.
There was a drawing of a gnome-like character in a stripey suit on the page but no explanation. Like a cousin of Mr Punch, which he is.
The song felt like a poor translation of something witty and Italian, which I've come to associate with the Commedia dell'Arte.
https://www.hypnogoria.com/scribblings_punch.htmlWhat first interested me in ghosts? This I can tell you quite definitely. In my childhood I chanced to see a toy Punch and Judy set, with figures cut out in cardboard. One of these was The Ghost. It was a tall figure habited in white with an unnaturally long and narrow head, also surrounded with white, and a dismal visage. Upon this my conceptions of a ghost were based, and for years it permeated my dreams.
So this one might be a mulligan, as it was used on TV-- Do you know the jingle bells, Batman smells lyrics for Jingle Bells? The fun thing is that my father knew it from his childhood, and it's likely to date to the older, live-action high-camp TV show. ...
So this one might be a mulligan, as it was used on TV-- Do you know the jingle bells, Batman smells lyrics for Jingle Bells? The fun thing is that my father knew it from his childhood, and it's likely to date to the older, live-action high-camp TV show. But the animated series used it in its pilot and so I think that's where my age cohort knows it (but who knows where they learned it...)
The tune to that is sometimes played by British military bands. When this came on TV my brother and I would sing the first couple of lines, viz.An Auntie Mary variation from Ayrshire between the wars (with an internal rhyme which only works in a Scottish accent):
Ma Auntie Mary had a canary
Up the leg o her drawers,
And whan it cam doun, it whistled a tune,
And that wis "The Cock of the North".
Till her dying day, my mother didn't understand why my grandmother would never let her sing that. I think I do.
It was “Tarzan swings, Tarzan falls, Tarzan hurts his Hairy Balls” when I was a whipper snapperTarzan swing
Tarzan fall
Tarzan hurt his iron ball
Cock o'the North, the regimental march of the Gordon Highlanders.Leyland Festival Morris dancers always danced to the Aunt Mary tune in the 1970s, every single year.