Offering To The Storm: So the Baztan Trilogy comes to a conclusion...
Although I might not have given it quite so high a score, after some early reservations I did actually end up enjoying this trilogy.
I haven't read the books, but my ex did when they were first released in Spain, and rates them as much more satisfying than the movies. But that's not an unusual sentiment with such adaptations.
Baztan is not part of the
Euskadi, but that area of northern Navarre is one of the old Basque territories, and I think one thing the movies capture really well is the atmosphere of that region of northern Spain: the mountains and the misty forests, ancient villages, claustrophobic valleys, the enormous dilapidated farmhouses hanging off hillsides, the changeably savage weather (at least in winter), and an equally savage streak to the local folklore. (The mysterious
Cagots - mentioned I think in the second installment - probably deserve a thread all of their own.)
Also, it gets the odd relationship between Catholicism and witchcraft – a strange mix of regulation piety interspersed with occasional visits to the local
bruja. I noticed this even in my few months in Barcelona, and I’m not sure it's uncommon to the whole of Spain, but I'm also pretty sure the tendency to hedge your bets in such a way intensifies the further north and west you go - up into Navarre and País Vasco, along that northern coast, and west into Galicia.
I love the atmosphere and environment, and I’m hoping these are going to be early shots in some kind of Basque Noir. Vitoria-Gasteiz already has Eva Garcia Sáenz, whose
The Silence of the White City is, by coincidence, due for UK publication tomorrow, according to Amazon. (I didn’t rate the Netflix movie version
at all - but the novel gets consistently good reviews in Spain.)
Bring on some northern Spanish Noir, I say.