lopaka said:I was wondering if you broke it down geographically, as you mentioned in your initial post. I found the Radio Times thing interesting as I too have no idea what it is and chose orange (USA, duh ).
Mon 17 Jan 2005
The colour of music
MARGARET COOK
I’VE JUST discovered I have a mild form of synaesthesia. Is it romantic or fatal? More the former, I would say. It is where the brain does not have a clear division between the reception of different sensations. For instance, the Finnish composer Sibelius saw notes as colours and smelled them too. Most commonly linked sensations are visual and auditory, taste and touch, olfactory and auditory. Most synaesthetes are women; assessments vary, but it may be eight times more common in females.
Even more oddly, there is a link with people who have odd experiences such as déjà vu, premonitions or clairvoyance. In musical synaesthetes, it is not uncommon to find the wonderful gift of perfect pitch.
I’ve always been aware that the days of the week have distinct colours, as do the names of months, numbers and letters of the alphabet, though they’ve faded with the years. As a child I discovered my sister had the same peculiarity, though her colour system was different. Since then I had assumed it was normal. My type seems to be the commonest, but mingled experiences of smell, taste and touch are much rarer.
Some descriptions are quite exotic, for instance piano tones seen as blue fog, guitar notes perceived as floating orange stripes in front of the body; phone numbers remembered as a multi-coloured string of pearls, sensing music as the aroma of hay, smelling a rose as a touch upon the skin, relishing the taste of pepper sauce as sharp, pointy triangles. The number five might be middle-aged, female, gentle and the colour of honey.
Some people even see the world in different colours according to mood.
Naturally, the psychologists have tried to claim the phenomenon for their own, but affected people have proved stubbornly mentally normal, apart from, in general, having rather good memories and unusual artistic talent.
Children who try to explain their tangled sensations are usually faced with blank incomprehension, like one little girl who announced to her teacher, "four plus four is red," to the mocking hilarity of her peers.
Synaesthesia has been recognised for about 300 years, and until recently was thought to be very rare; estimates of 1 in 2,000 at the most. But research in the last decade puts it as high as 1 in 100, including the mildest examples of mixed messages. Within an individual, the links are very consistent, so it is different from association-testing and having hallucinations. However, related phenomena are seen in LSD takers and schizophrenics. I recall one schizophrenic reporting severe pain which she felt in the curtains around the bed.
Besides Sibelius, the composers Skrjabin, Rimsky-Korsakov and Messiaen had the trait, also artists Hockney and Kandinsky and the author Nabokov.
Synaesthesia holds a particular fascination for the artistic world. It is a desirable gift, an enhancement of sensuality, a manifestation of creativity, and has inspired volumes of poetry, music, literature, folklore and analysis. Periodically it has stimulated multi-modal concerts of music and light and sometimes perfume. Meanwhile the science world has been ambivalent about researching something so wholly subjective.
Current science accepts that synaesthesia is inherited, as an X-linked trait in many cases, which explains the female predominance. It is possible that all infants are born with muddled sensory experiences, for instance, in them a sound triggers auditory, visual and tactile vibes. This state of psychedelia is due to hyper-connectivity between sensory parts of the brain, and normally about the age of four months these connections are automatically pruned to leave more specific responses. Synaesthetes have a genetic mutation that interferes with this pruning. There are probably genetic variants to explain the different sensory melanges, and extensive connections left between brain areas that deal with abstract concepts seem likely to convey a marked degree of artistic creativity as well as disabling distraction in ordinary, everyday matters.
Magnetic resonance imaging has clarified with some precision the colour vision areas involved in the visual cortex of the brain. The limbic system which controls consciousness is connected, as well as other sensory centres. Some synaesthetic experiences occur outwith the body, which implicates the angular gyrus, thought to be the seat of "out of body" experiences. Synaesthesia research may cast new light on perception, thought, consciousness and language.
--------------------
• If you think you may be a covert synaesthete and would like to contribute to pushing forward the frontiers of knowledge, there is a website where you can take a test:
www.bbc.co.uk/ science/humanbody/mind/index_surveys.shtml
Musician can 'taste music'
From correspondents in Paris
March 03, 2005
From: Agence France-Presse
A SWISS musician sees colours when she hears music, and experiences tastes ranging from sour and bitter to low-fat cream and mown grass, astounded scientists say.
Zurich University neuropsychologists were so intrigued by the case of E.S. - a 27-year-old professional musician whose full name has been withheld - that they recruited her for a year-long inquiry.
They say she is the world's most extreme known case of synaesthesia, the phenomenon whereby hearing music triggers a response in other sensory organs.
E.S. sees colours when she hears a tone, with for instance an F sharp causing her to see violet while a C makes her see red, quite literally.
Advertisement:
Even more remarkable is that she also gets a taste on her tongue according to the note she hears.
A tone interval of a minor second induces sourness, while a major second leaves a bitter taste.
A minor third is salty, while a major third is sweet.
Other tastes, according to the tone, are of "pure water," cream (either full or low-fat, depending on the note), "disgust" and also of mown grass.
To provide an objective test, the scientists applied one of four different-tasting solutions (sour, bitter, salty and sweet) to her tongue and then asked her to press a button on a computer keyboard corresponding to four relevant tones.
She responded with perfect accuracy and much faster than five musicians, recruited for the same test, who do not have her synaesthesic gifts.
E.S.' "extraordinary" synaesthesia has probably been a boon in her career by attuning her to the right pitch, the researchers say.
-----------------------
The study, led by Lutz Jaencke, appears in the British weekly science journal Nature.
Synaesthesia is the involuntary physical experience of a cross-modal linkage — for example, hearing a tone (the inducing stimulus) evokes an additional sensation of seeing a colour (concurrent perception). Of the different types of synaesthesia, most have colour as the concurrent perception, with concurrent perceptions of smell or taste being rare. Here we describe the case of a musician who experiences different tastes in response to hearing different musical tone intervals, and who makes use of her synaesthetic sensations in the complex task of tone-interval identification. To our knowledge, this combination of inducing stimulus and concurrent perception has not been described before.
Rainbow Coalition of the Brain
By Rowan Hooper
Story location: http://www.wired.com/news/medtech/0,1286,66770,00.html
02:00 AM Mar. 04, 2005 PT
Imagine every time you hear the telephone ring, you taste a burrito with jalapeño and guacamole. Believe it or not, some people -- synesthetes -- experience things just like that.
For them it's like being hooked up to a weird virtual-reality machine. The number 7 may look green, or the color red might smell of soap. G-flat on the piano might look like broken glass.
Could you even hear yourself think, with all that going on? Far from being limiting, new research suggests that synesthesia, from the Greek words for "together" and "perception," actually helps with cognitive processes.
Neuroscientists think the condition occurs because certain regions of the brain "cross-activate" at the same time. So the tone perception center, for example, may be linked with the taste perception center. And studying synesthetes is giving clues to the working of the brain, one of the most complex structures in the universe.
"Synesthesia shows how many variations in normal brain function are possible," said Michaela Esslen, of the department of neuropsychology at the University of Zurich, Switzerland.
Synesthetes have normal IQs and may number up to one in 2,000 people. Esslen said the connections between synesthetes' brain regions may have been disconnected in other people.
"One theory as to how synesthesia originates is that neuronal connections in the brain that might exist in the newborn brain do not degrade as in normal brains, but remain in synesthetes," she said.
Peter Brugger, a professor at the Neuropsychology Unit of Zurich University Hospital, said: "In a way, the really burning question is how the normal brain succeeds so well in keeping all this information separate."
That question is yet to be answered, but this week Esslen, with colleagues Gian Beeli and Lutz Jancke, published a paper in Nature supporting the idea that synesthesia can help cognitive processes. They describe a female professional musician who "tastes" sounds.
The woman, referred to as E.S., experiences a scale of tastes depending on the tone interval of the music being played. The minor sixth tone interval, for example, produces the taste of cream in her mouth. Amazingly, the major sixth produces the taste of low-fat cream.
E.S. reports that she benefits from her synesthetic perceptions while she performs music or solves music-related tasks -- and the Zurich researchers confirmed this in tests.
Previous work, at Waterloo University in Ontario, Canada, has also shown that synesthesia can help with cognition. Subjects said linking numbers with colors helped them perform mathematical calculations.
The extraordinary potential of synesthesia to boost the memory was documented in the classic The Mind of a Mnemonist by Russian psychologist A.S. Luria.
The latest Swiss work adds to the growing evidence that synesthesia can aid cognition.
"It is now widely agreed that synesthesia involves indirect activation of regions of the brain involved in perceptual processing," said Lawrence Marks, director of the John B. Pierce Laboratory at Yale.
Marks was resident neuroscientist and discussant at last month's Synesthesia and Perception meeting held by the College Art Association in Atlanta.
"Research on the brain mechanisms of synesthesia will be terribly important to understanding brain processes and mind-brain relations more generally," he said.
In Zurich, professor Brugger is doing just that, and in the process has created a kind of synesthetic out-of-body experience. "Virtual reality is a kind of synesthesia," he said, "because you feel yourself to be at the place your vision suggests you to be."
Brugger hooks up volunteers to a VR headset so they can view themselves from behind.
"By seeing yourself walking in front of yourself for prolonged periods, you will eventually feel at a distance of some meters in front of yourself -- a simulated doppelganger, if you want," Brugger said.
Synesthesia research offers an explanation for a phenomenon that has been described by psychics.
Many self-proclaimed psychics say they can detect a person's aura, often described as a colorful energy field given off by certain people. But Jamie Ward, head of the Synesthesia Research Group at University College London, said some people can experience colors in response to people they know -- a condition called emotion-color synesthesia.
"The ability of some people to see the colored auras of others has held an important place in folklore and mysticism throughout the ages," said Ward. "Rather than assuming that people give off auras or energy fields that can only be detected by rigged cameras or trained seers, we need only assume that the phenomenon of synesthesia is taking place."
. Since his epileptic fit, he has been able to see numbers as shapes, colours and textures. The number two, for instance, is a motion, and five is a clap of thunder. "When I multiply numbers together, I see two shapes. The image starts to change and evolve, and a third shape emerges. That's the answer. It's mental imagery. It's like maths without having to think."
US scientists say they can explain why some people 'see' colours when they look at numbers and letters.
As many as one in 2,000 people has an extraordinary condition in which the five senses intermingle, called synaesthesia.
Some see colours when they hear music or words. Others 'taste' words.
The study in Neuron tracked the brain activity of people with the most common form and found peaks in areas involved with perceiving shapes and colours.
Cross-wiring
The University of California San Diego team said their findings lend support to the idea that the condition is due to cross-activation between adjacent areas of the brain involved with processing different sensory information.
This cross-wiring might develop, they believe, by a failure of the "pruning" of nerve connections between the areas as the brain develops while still in the womb.
People with synaesthesia tend to want A to be red, S to be yellow and Z to be black
Synaesthesia researcher Dr Julia Simner, of the University of Edinburgh
For example, a person with synaesthesia might see red when they look at an ordinary figure '5' drawn in black ink on a white background because the red colour perception area of their brain is stimulated at the same time as the number recognition area.
The researchers conducted a series of experiments on volunteers with and without synaesthesia.
When the people without synaesthesia looked at letters and numbers only the brain areas involved with processing this information light up on brain activity scans.
In comparison, the people with synaesthesia had activity in colour perception regions as well.
Colour by numbers
Furthermore, some of the people with synaesthesia appeared to be better at 'seeing' colours than the others.
Those who had stronger colour perception had more activity in their colour perception brain areas.
Researcher Vilayanur Ramachandran said processes similar to synaesthesia might also underlie our general capacity for metaphor and be critical to creativity.
"It is not an accident that the condition is eight times more common among artists than the general population."
Dr Julia Simner, who has been studying synaesthesia at the University of Edinburgh along with colleagues at University College London, said the findings were supported by similar work looking at people who see colours when they hear sounds.
"Interestingly, we've recently analysed the letter-colour combinations of a very large number of people with synaesthesia and found that there are significant trends in their preferences.
"For example, people with synaesthesia tend to want A to be red, S to be yellow and Z to be black."
She said her research also revealed that people without synaesthesia have significant preferences for the colours of letters.
"Some of these choices were fairly obvious, such as 'O' being orange, but some were quite intriguing, and showed a similarity to those of people with synaesthesia."
Her findings are currently in press to appear in the journal Cognitive Neuropsychology.
Jennifer Green from the University of Cambridge, who has also been carrying out research in this area, said: "Some describe seeing the colours induced by letters and numbers as projected externally into space, while others report experiencing them internally, or in their 'mind's eye'.
"This research lends further support to empirical evidence suggesting that these varying descriptions represent actual differences in the way synaesthesia occurs in individuals."
Why some see colours in numbers
US scientists say they can explain why some people 'see' colours when they look at numbers and letters.
As many as one in 2,000 people has an extraordinary condition in which the five senses intermingle, called synaesthesia.
Some see colours when they hear music or words. Others 'taste' words.
The study in Neuron tracked the brain activity of people with the most common form and found peaks in areas involved with perceiving shapes and colours.
Cross-wiring
The University of California San Diego team said their findings lend support to the idea that the condition is due to cross-activation between adjacent areas of the brain involved with processing different sensory information.
This cross-wiring might develop, they believe, by a failure of the "pruning" of nerve connections between the areas as the brain develops while still in the womb.
People with synaesthesia tend to want A to be red, S to be yellow and Z to be black
Synaesthesia researcher Dr Julia Simner, of the University of Edinburgh
For example, a person with synaesthesia might see red when they look at an ordinary figure '5' drawn in black ink on a white background because the red colour perception area of their brain is stimulated at the same time as the number recognition area.
The researchers conducted a series of experiments on volunteers with and without synaesthesia.
When the people without synaesthesia looked at letters and numbers only the brain areas involved with processing this information light up on brain activity scans.
In comparison, the people with synaesthesia had activity in colour perception regions as well.
Colour by numbers
Furthermore, some of the people with synaesthesia appeared to be better at 'seeing' colours than the others.
Those who had stronger colour perception had more activity in their colour perception brain areas.
Researcher Vilayanur Ramachandran said processes similar to synaesthesia might also underlie our general capacity for metaphor and be critical to creativity.
"It is not an accident that the condition is eight times more common among artists than the general population."
Dr Julia Simner, who has been studying synaesthesia at the University of Edinburgh along with colleagues at University College London, said the findings were supported by similar work looking at people who see colours when they hear sounds.
"Interestingly, we've recently analysed the letter-colour combinations of a very large number of people with synaesthesia and found that there are significant trends in their preferences.
"For example, people with synaesthesia tend to want A to be red, S to be yellow and Z to be black."
She said her research also revealed that people without synaesthesia have significant preferences for the colours of letters.
"Some of these choices were fairly obvious, such as 'O' being orange, but some were quite intriguing, and showed a similarity to those of people with synaesthesia."
Her findings are currently in press to appear in the journal Cognitive Neuropsychology.
Jennifer Green from the University of Cambridge, who has also been carrying out research in this area, said: "Some describe seeing the colours induced by letters and numbers as projected externally into space, while others report experiencing them internally, or in their 'mind's eye'.
"This research lends further support to empirical evidence suggesting that these varying descriptions represent actual differences in the way synaesthesia occurs in individuals."
---------------------
Story from BBC NEWS:
http://news.bbc.co.uk/go/pr/fr/-/1/hi/h ... 375977.stm
Published: 2005/03/24 01:14:27 GMT
© BBC MMV