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Art Crimes (Theft; Forgery; Etc.)

lots of art trickery then...

For a band who where, to be honest, a conseptual joke they where actualy a rather good band.
 
from what I remember the concept was to make the perfect pop album, and the White Room is just about that. Bill Drummond's book about all of his exploits, 45, is great. also "the manual: how to have a number one hit the easy way" is a laugh.
 
wolfie said:
from what I remember the concept was to make the perfect pop album, and the White Room is just about that. Bill Drummond's book about all of his exploits, 45, is great. also "the manual: how to have a number one hit the easy way" is a laugh.

and ofcorse they made Tammy cool :D
 
Isn't the Turner Prize, fun?

It's a strangely Fortean coincidence that Turner's now supposed to have had really bad eyesight, and partial colour blindness, considering what the judges of the prize, named after him, chose as finalists this year. Don't you think?

Although, I do like the crocks and frocks.

:p
 
AndroMan said:
Isn't the Turner Prize, fun?

It's a strangely Fortean coincidence that Turner's now supposed to have had really bad eyesight, and partial colour blindness, considering what the judges of the prize, named after him, chose as finalists this year. Don't you think?

Although, I do like the crocks and frocks.

:p

but...you've got to love anything that gives a person the chance to say 'I think it's about time that the Turner judges gave the prise to a transvestite potter.' :D
 
marginally the best out of a lame, lame bunch. i don't think i've ever been so bored by an exhibition.
 
wolfie said:
i don't think i've ever been so bored by an exhibition.

you just don't gewt out enough. I've been so bored by exibitions I've wanted to teer my hair out (usualy atleast once every few months.)
 
wolfie said:
*EDIT* I think the point of the lampost thing may have been for the public to steal them actually . . .

often thought that it woudl be interesting to inject some new books into liburys... sort of like Joe Orton but actuly makeing books... just a thought.
 
Physick said:
Maybe not, but the sort of person who buys knocked-off art is likely to be:

Rich
Unprincipled
Ruthless
In possession of contacts with the criminal fraternity.

This not a good combination of traits to piss off.

"Anyone seen my kneecaps?"
"They're over there I think."

True. But Vermeer's 'The Concert' only one of 35 known by the master, was stolen in Boston, MA in 1990. Reward: $5,000,000 US. With that kind of coin I could get new kneecaps. Or at least go into hiding for the rest of my life. ;)
 
sidecar_jon said:
often thought that it woudl be interesting to inject some new books into liburys... sort of like Joe Orton but actuly makeing books... just a thought.

I thought about producing fake newspapers and leaving them in coffee shops, trains...
 
The Virgin Queen said:
I thought about producing fake newspapers and leaving them in coffee shops, trains...

i left a few of me mags mixed in with news papers/mags in the vegie cafe in PZ and they got knicked within an hour!.....good idea tho a "News Paper"... imagin a SUN Speciel Edition...
 
sidecar_jon said:
i left a few of me mags mixed in with news papers/mags in the vegie cafe in PZ and they got knicked within an hour!.....good idea tho a "News Paper"... imagin a SUN Speciel Edition...

I can only drool...
 
BTW: the idea of the papers is to have what looks just like a real paper but wich - almost unnoticibly - goes into a subtle strangness.

If poeople thought it was real it might even be better.
 
This doesn't exactly belong here, but...

Mods, move as you see fit.


Van Gogh Found at Flea Market to Sell for Millions
By Claude Canellas

PORTETS, France (Reuters) - A painting of field workers by Dutch artist Vincent Van Gogh, bought at a flea market 12 years ago for 1,500 euros ($1,800), is expected to fetch up to three million euros ($3.6 million) at an auction in France Saturday.

Organizers of the sale in the small town of Portets in southwestern France are bracing for a flood of visitors.

They have erected a tent with room for 300 people to deal with the expected spill-over from the 250-seat auction venue. Four television screens will broadcast the sale and 10 extra telephone lines with translators will take bids from abroad.

Auctioneer Eric Le Blay said bidding would start at 1.0-1.5 million euros ($1.2-1.8 million) but could reach double that.

This year is the 150th anniversary of Van Gogh's birth, fueling public interest in his work, which has already set auction records.

The small oil-on-wood painting depicting farm laborers under a heavy sky was missing for close to 100 years until an eagle-eyed man spotted it in a second-hand market near Paris and noticed the signature "Vincent" in a corner.

A controversy has erupted over the authenticity of the painting. The Van Gogh museum in Amsterdam has so far refused its stamp of approval, but other experts and restorers say it is the real deal, Le Blay said.

An Italian scientific laboratory identified the pigments as dating from the 19th century and said the colors were identical to those Van Gogh used in other paintings. The signature was at least a century old, it said.

Another test showed the varnish also matched the type used by Van Gogh, who often painted flowers and fields.

Van Gogh expert Benoit Landais said he was convinced the painting was an original. He told Le Blay it was painted in the Netherlands in 1883 and listed as number 276 in an inventory made in 1890 after Van Gogh committed suicide.

"Then, from 1894 onward, its trace was lost before it was found at the second-hand stall," said Le Blay.

A small Van Gogh watercolor sold for $8.3 million at an auction in New York in November. The artist's "Portrait of Doctor Gachet" sold in 1990 for $82.5 million, making it one of the most expensive paintings in the world. ($1-.8158 Euro)


12/11/03 09:04

© Copyright Reuters Ltd. All rights reserved.
 
Row Erupts over $3200 picture, resold as lost masterpiece fo

News - June 18, 2004

Art auction rocks Dublin church
By SCOTT BROOKS
Union Leader Correspondent


A 14th-century triptych of the Madonna and child was donated to a Dublin church. (COURTESY PHOTO)
Auction-goers in Dublin made a killing and aroused the town’s ire when a painting they bought for $3,200 at a church fundraiser sold for more than 150 times as much earlier this year.

A Dublin woman, Jessie Hale, donated the painting — which turned out to be the lost third of a 14th-century triptych, or three-paneled picture — to the Dublin Community Church, unaware of its apparent worth.

The panel, which measures roughly 13 inches by 11½ inches, features the Madonna with child and is the work of an unknown Sienese artist. Hale’s family had owned the panel for nearly 100 years.

A Rindge woman, Dawn Ward, scooped up the painting at the church’s Aug. 16, 2003 auction. She purchased it along with two Dublin men, Rick O’Connor and Roy Gandhi-Schwatlo. Both men were members of the committee that organized the auction.

Identifying themselves only as a “private collector,” the buyers put the panel on Sotheby’s New York auction block in January. The piece sold for $489,600, according to Sotheby’s Web site.

As a committee member, O’Connor said last night he was responsible for procuring paintings for the auction. He said he never spoke with Hale about her painting and no one in his group knew its real value before buying it.

“We were all friends and decided we would buy the painting,” O’Connor said. “We just thought it would be a great investment.”

O’Connor said he and his friends had considered offering some of their profits to Hale, but may now their change their minds because of hostility they’ve encountered from people associated with the auction.

“We’re basically innocent people here,” O’Connor said. “Do you come back after you buy something at a yard sale and tell the owner, ‘Oh, geez, we’ve got to give you back half of everything we’ve made on this product.’”

O’Connor, who sells medical chillers for a Keene company, said all of the buyers are “working people.”

Word of the painting’s worth has spread around town, and some residents have said the buyers have a responsibility to donate some of their new fortune to Hale and the church.

“The whole thing’s just unfortunately slimy,” said Charles Pillsbury, who volunteered at the auction. “It’s just too bad.”

Hale’s family has owned the piece since 1909, when it was acquired by her grandfather, Joseph Lindon Smith, according to Sotheby’s. Smith, a famous Dublin painter, collected many pieces of art on his travels through South America, Egypt and the Mediterranean, said Charlie Cobb, the auctioneer who ran the church auction last year.

Hale, who declined to speak for this story, is not a member of the Dublin Community Church but donated the panel as a gift, Blodgett said. Before the auction, she gave it to Pillsbury for safe keeping.

“I had it wrapped up in just a cloth in my pickup truck for a couple weeks, just sitting in the back seat,” Pillsbury said. “I didn’t think it was worth anything.”

Several items at the church auction sold for more than the panel received, with one painting pulling in $18,000, not all of which went to the church. The auction, which was held in the Dublin home of Joseph Patrone, former U.S. ambassador to Switzerland, raised $23,000 for the church, Blodgett said.

If Hale had known what the panel was worth, there’s little chance she would have donated it, Pillsbury said.

“It was just a very big, unfortunate mistake made by the lady that gave it,” he said. “It’s just tragic it had to happen to a little community church.”

Sotheby’s dates the panel to between 1320 and 1345. The panel is the central piece of the triptych, and its two wings hang in the Musie de Tessi in France, the auctioneers say.

Since arriving in New Hampshire, the panel has twice been displayed at the Museum of Fine Arts in Boston and most recently, in 1965, at the Wadsworth Atheneum in Hartford, according to Sotheby’s.

Much of the town is upset at the three buyers, Pillsbury said.

“They’re having a hard time showing their face in town,” he said.

As members of the auction committee, Gandhi-Schwatlo and O’Connor spent many weeks working to put together a successful fundraiser for the church, said Tom Blodgett, who chaired the auction committee.

“Roy and Rick were very significant contributors to the success of the expo, and are honest and honorable people,” Blodgett said. “I hope that they will rethink their situation and make a personal gesture to the Dublin community, given these extraordinary circumstances.”


Copyright © 2004



http://www.theunionleader.com/articles_showa.html?article=39393
 
LINK
Stolen Rockwell Found In Spielberg's Collection
By DAISY NGUYEN

LOS ANGELES Mar 3, 2007 (AP)— Norman Rockwell paintings often resonate because of their depictions of everyday life, but the life of one of his paintings has been anything but mundane.

"Russian Schoolroom," a Rockwell painting stolen from a gallery in the St. Louis suburb of Clayton, Mo., more than three decades ago, was found in Oscar-winning filmmaker Steven Spielberg's art collection, the FBI announced Friday.

Spielberg purchased the painting in 1989 from a legitimate dealer and didn't know it was stolen until his staff spotted its image last week on an FBI Web site listing stolen works of art, the bureau said in a statement.

After Spielberg's staff brought it to the attention of authorities, an FBI agent and an art expert from the Huntington Library, Art Collections and Botanical Gardens in San Marino inspected the painting at one of Spielberg's offices and confirmed its authenticity Friday morning. Early FBI estimates put the painting's value at $700,000, officials said.

Spielberg is cooperating with the FBI and will retain possession of the Russian Schoolroom until its "disposition can be determined," the bureau said. "The second anybody said, 'I think we have that painting,' (our) office got a hold of the FBI," said Spielberg's spokesman, Marvin Levy.

The oil-on-canvas painting shows children in a classroom with a bust of communist leader Vladimir Lenin. It was nabbed in a gallery heist and then resurfaced briefly in legitimate art forums before disappearing again. At the time of the theft, the work was 16 inches by 37 inches.

Mary Ellen Shortland, who worked at the long-closed Clayton Art Gallery, recalled Friday that someone from Missouri paid $25,000 for the painting after seeing it during a Rockwell exhibition featuring mostly lithographs.

The client agreed to keep it on display, she said, but a few nights later someone smashed the gallery's glass door and escaped with the painting. "That was all they took. That's what they wanted, that painting," Shortland recalled.

The gallery refunded the client's money, and there was no sign of the work for years. Then in 1988, it was auctioned in New Orleans.

In 2004, the FBI's newly formed Art Crime Team initiated an investigation to recover the work after determining it had been advertised for sale at a Rockwell exhibit in New York in 1989.

It wasn't immediately known whether Spielberg purchased the painting at that New York exhibit. Spielberg is a longtime Rockwell collector. He helped found the Norman Rockwell Museum in Stockbridge, Mass., where he is also on the board of trustees. "He's certainly one of the collectors of Rockwell," said Levy, who wasn't sure how many of the artist's paintings Spielberg owns. "We have a few in our office on the Universal lot."

Rockwell's works often capture moments from everyday life, such as a boy watching his father shave, family members saying grace over a Thanksgiving turkey or a young girl having a dress fitting.

The artist died at age 84 in 1978. While "Russian Schoolroom" appeared in Look magazine, the artist is best known for the covers he did for The Saturday Evening Post. More than 300 Rockwell creations appeared on the cover of the publication.

Associated Press writer Betsy Taylor in St. Louis contributed to this report.

On the 'Net:

FBI Art Crime Team: http://www.fbi.gov/hq/cid/arttheft/arttheft.htm

Norman Rockwell Museum: http://www.nrm.org
 
Not a biggie .. North Norfolk District Council had already predicted some arsehole would graffiti over our Banksy so had sealed it with an anti graffiti finish so this can be cleaned off .. a bunch of us first spotted this at a night beach party a few days ago at the spot .. someone local has written "I see they've done a self portrait" :chuckle: .. the wall was/is still? covered in different coloured cocks of varying artistic skill.

abanksytwats.jpg


abanksyswofty.jpg




https://www.walesonline.co.uk/news/uk-news/priceless-banksy-mural-cromer-norfolk-24342751
 
Not a biggie .. North Norfolk District Council had already predicted some arsehole would graffiti over our Banksy so had sealed it with an anti graffiti finish so this can be cleaned off .. a bunch of us first spotted this at a night beach party a few days ago at the spot .. someone local has written "I see they've done a self portrait" :chuckle: .. the wall was/is still? covered in different coloured cocks of varying artistic skill.

View attachment 56597

View attachment 56598



https://www.walesonline.co.uk/news/uk-news/priceless-banksy-mural-cromer-norfolk-24342751
edit: it's been cleaned up now ..

https://www.northnorfolknews.co.uk/...KuOmUznbJkDW5gftqqj0centQG-tzamkFed8YAUcIS3Ng
 
What did they steal? .. or were they just show boating?.
Just some diamond necklace worth millions I think. They're being intentionally vague about it.
 
https://abcnews.go.com/US/museum-di...tigation-purported-basquiat/story?id=85930619

Museum director out after FBI raid over Basquiat paintings​

The move comes after the FBI seized 25 paintings from the Orlando Museum of Art.
ByMeredith Deliso
June 29, 2022, 5:30 PM

The director of a Florida art museum has been ousted amid a federal investigation into the authenticity of more than two dozen paintings purportedly by the late artist Jean-Michel Basquiat that were on view in the institution's blockbuster show. The exhibition, "Heroes and Monsters," at the Orlando Museum of Art, has been under scrutiny since a New York Times report published upon its opening in February raised questions about the authenticity of the pieces, including one that featured a FedEx cardboard shipping box with a typeface that an expert said wasn't used until after the artist's death in 1988.

On Friday, days before the exhibition was scheduled to end, the FBI Art Crime Team based out of Los Angeles executed a federal search warrant at the museum as part of a federal investigation, an FBI spokesperson said. According to an affidavit in the search warrant to seize the 25 paintings, the FBI is investigating alleged conspiracy and wire fraud in connection with the artwork. The pieces were purportedly created in 1982 and found in a storage locker owned by the late TV producer Thaddeus Mumford, Jr. whose contents were sold at auction in 2012.
In an interview with the FBI in 2014, four years before his death, Mumford denied ever having any Basquiat artwork and was unaware of the artist's work being stored in his storage locker, according to the affidavit. Several experts who spoke with the FBI agent also "have opined that the artwork is not authentic," the affidavit stated. The affidavit included an email sent by the museum's ousted director and CEO, Aaron De Groft, to an art professor paid $60,000 by the owners of the artwork to assess several pieces who was requesting that her name not be associated with the exhibition.
"Shut up. You took the money. Stop being holier than thou," De Groft wrote, according to the affidavit. "Be quiet now is my best advice. These are real and legit. You know this. You are threatening the wrong people. Do your academic thing and stay in your limited lane."
On Tuesday, Cynthia Brumback, chair of the Orlando Museum of Art's Board of Trustees, announced that De Groft is no longer director and CEO of the museum "effective immediately."
"The Orlando Museum of Art's Board of Trustees is extremely concerned about several issues with regard to the 'Heroes and Monsters' exhibition, including the recent revelation of an inappropriate e-mail correspondence sent to academia concerning the authentication of some of the artwork in the exhibition," Brumback said in a statement. ABC News did not immediately hear back from De Groft for comment.
The highly anticipated museum exhibition garnered crowds eager to see the paintings, even while their authenticity was under question. Museum attendance went up 500% since the exhibit went on display, ABC Orlando affiliate WFTV reported. Amid the controversy, Brumback said Tuesday that the museum has "launched an official process to address these matters, as they are inconsistent with the values of this institution, our business standards, and our standards of conduct." Prior to the FBI raid, De Groft defended the exhibition.
"We stand by our industrial, rigorous, academic process," he told reporters in February. "They were authenticated before we were involved by major, major specialists that put their entire reputations on the line.”
The authenticity of at least one of the pieces is called into question over the inclusion of a FedEx logo, according to the affidavit.
"Forensic information indicates that the cardboard on which one painting was made contains a typeface that was created in 1994, after Basquiat had passed," the affidavit stated.
As part of its investigation, the FBI has uncovered attempts to sell the paintings "using false provenance," and what appear to be investments via wire transfer in "artwork that is not authentic," according to the affidavit.
The investigation is ongoing and no charges have been filed yet, a spokesperson for the U.S. Attorney's Office for the Central District of California told ABC News Wednesday.
 
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