I've always loved stairways.
As a child they filled me with a sense of adventure, like portals to new worlds. I suppose they still do. I'm particularly fond of twisting/turning staircases, spirals and ladders. It's difficult to describe the sensation, it can remind me of the excitement of turning to the first page in a new book, a potential 'initiation' into something mysterious, unknown.
Then there's the sheer pleasure of the sounds, especially if the staircase is domestic, used, old...the soft, pliant sensation of the boards creaking underfoot. Staircases possess their own kind of 'presence' or personality; we
meet or encounter them rather than simply pass through them. Perhaps they function as a respite from the collective, a sort of passage to and from the self? As a previous poster said, this particular kind of liminal space represents a journey which we almost always take alone - however you feel about symbolic woo, for some this becomes a catalyst for night terrors and death.
I grew up on a farm (horses and geese), although the house we lived in was relatively new. There
was a derelict old farmhouse still hidden beside an overgrown apple orchard, and an assorted clutter of oddly placed hay sheds and barns dotted around, which naturally captured and enlivened my early, fortean imagination. There were old staircases
everywhere, it seemed; rickety steps into haylofts, improvised steps made of earth and mud connecting plateaus of land, steps leading, mysteriously, from the secret back end of the darkest old stables into an unfathomably wild and neglected space above. Secret spaces are always located via steps! I wasn't supposed to explore the old farmhouse, but that was like insisting a moth shouldn't fly towards a flame. Tiny but twisty, broken yet still intact and
seemingly never ending, that staircase was to become the very embodiment of all future visions of fairytales, folk tales and songs of the darker variety. It followed me onto an art foundation, photography projects, and later, a fine arts degree (god help me). It had
influence.
We'd build staircases out of hay bales then jump from the top into the softly strewn hay below. Someone created a makeshift staircase with a small balcony that ran part way up a manure pile (or a muck-heap as we called them). I remember log steps, wooden steps, steps created with broken flagstones, railway sleepers, hunks of rock, clods of earth. My favourites were the most pointless, which didn't seem to go anywhere, perhaps relics of history, old mines.
We used to explore clusters of derelict houses in the woods, before such things were cordoned off. The stairs were most often too broken to climb, yet they are all still there, catalogued and preserved in memory, ancient yet ageless, to me.
I also loved ladders and steps that led into and out of water such as swimming pools, ponds and streams. The moving stairs in a fairground funhouse, and the narrow, claustrophobic, aromatic stairways separating the floors in antique bookshops where you'd always bang your head if you forgot to stoop. Stairs in curious old buildings, Trust properties and ancient pubs, connecting rooms and floors like rabbit warrens; dusty, a bit rank and oozing the passage of time. Steps built into wild fells, carpeted with grass and heather.
Even now, the everyday domestic stairways* still hold on to their original magic. It's my favourite part of house hunting. I know that if I can imagine walking up the stairs at a slow and leisurely pace in a power cut, It's a good place
*I did experience something horrid whilst descending a staircase once, but it hasn't put me off. (an old thread of mine describes this in IHTM, possibly called 'something unpleasant, unseen').