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The Da Vinci Code

No Gospel in "Da Vinci Code" Claims, Scholars Say

No Gospel in "Da Vinci Code" Claims, Scholars Say

Stefan Lovgren
for National Geographic Channel
December 17, 2004


The secrets in The Da Vinci Code—Dan Brown's hugely successful best-seller—are hardly secret any more: Mary Magdalene was really the wife of Jesus. The two had a child and their descendants walk among us today.
According to Brown, the truth was suppressed by the Catholic Church but handed down through centuries by a secret society that included Leonardo da Vinci, who hid clues about the union in his paintings.

While the novel has spawned a whole cottage industry of museum tours and books exploring the credibility of this claim, Brown himself has stayed largely out of the spotlight.

Leonardo da Vinci's "Mona Lisa." A new documentary examines claims about JesusChrist, da Vinci, and others that have helped make Dan Brown's The Da Vinci Code a best-seller. Unlocking Da Vinci's Code: The Full Story, a two-hour special, premiered this past Sunday on the National Geographic Channel.

But in a National Geographic Channel documentary, Unlocking Da Vinci's Code: The Full Story, the reclusive author talks about his controversial theory.

"I began as a skeptic," Brown says in the special, which premiered this past Sunday. "As I started researching The Da Vinci Code, I really thought I would disprove a lot of this theory about Mary Magdalene and holyblood and all of that. I became a believer."

Most scholars interviewed in the documentary and elsewhere, however, say that Brown is relying on discredited sources and flimsy connections to make his bloodline theory.

Still, most experts concede that the Church suppressed some early Christian writings that may have differed from the version of events described in the Bible. They also contend that Mary Magdalene, while not married to JesusChrist, was probably a lot closer to Jesus than most people imagine.

Gospel of Mary

Mary Magdalene is one of the most elusive figures in Christianity. She has been depicted as a prostitute, though there is no evidence in the Bible for that.

Instead, she was a disciple of Jesus. All four gospels in the New Testament say she was present at both the Crucifixion of Jesus and the empty tomb on the morning of the Resurrection.

But neither the Bible nor any other historical text identifies Mary as the wife of Jesus. A married woman at the time would have gone by her husband's name, but Mary was referred to as being from the town of Magdala.

"This notion that she's talked about as being from this place indicates that she was independent," said Karen King, a history professor at Harvard Divinity School and a leading authority on Mary Magdalene.

While it would have been unusual for a Jewish man like Jesus Christ to not be married, it was not unheard of.

"The really odd thing would be to have Mary married to Jesus and have them next to each other in the same text [in the Bible] and for it not to be mentioned," King said. "That for me is quite conclusive that they were not married."

One of Brown's sources is a controversial text known as the Gospel of Mary. It is believed to have been written in the second century by a Christian sect and is generally accepted as authentic, even by the Church. However, the text's veracity and importance are very much up for debate.

Although the Gospel of Mary does not show any evidence of Jesus Christ and Mary being married, it suggests their relationship was stronger than it is described in the New Testament. In the Gospel of Mary, Jesus Christ reveals deep theological insights to Mary, who appears to understand his teachings better than his male disciples do.

Power Struggle

Brown's assertion that the divinity of Jesus Christ was an invention by the Roman emperor Constantine in A.D. 325 is widely dismissed by scholars—Christ's divinity had already been described in the New Testament.

But many scholars agree that a power struggle raged within the early Christian church, especially over the role of women. Beginning in the fifth century, Catholic leaders began referring to Mary Magdalene as aprostitute, perhaps because they wanted to undermine women's ability to use Mary Magdalene's example as an argument for greater power.

"Brown tells people something they didn't know, that the early history of Christianity was much more complicated than anybody thought," said Joseph Kelly, a professor of religious studies at John Carroll University in Cleveland, Ohio.

The theory proposed in Brown's novel is that Mary Magdalene and her daughter, Sara, were whisked away to France after Christ's death. There, the descendants of Jesus and Mary intermarried with French kings, creating the so-called Merovingian dynasty. But there is no evidence of such a child or bloodline in any verifiable documents.

The Last Supper

Brown, however, believes that a secret society known as the Priory of Sion was established to protect the descendants of this royal bloodline.

In the early 1960s a set of documents was discovered at a French library that appeared to list the members of this secret society. The names included famous scientists and artists like Isaac Newton and Leonardo da Vinci.

At the heart of Brown's novel is the suggestion that da Vinci hid clues about the secret of Jesus and Mary within one of his masterpieces, "The Last Supper."

Conspicuously missing from da Vinci's painting is the cup, also known as the Holy Grail, from which Jesus Christ is believed to have drunk on the night before his execution.

But Brown says the Holy Grail is included in the painting. Only it's not a cup but a person: Christ's supposed wife, Mary Magdalene. He says the person seated at the right of Jesus is not John the Baptist but Mary Magdalene.

"If you look at that painting, it's clearly a woman," Brown says in the documentary.

Art historians and religious scholars, however, scoff at the idea. Although the person to the right of Christ appears effeminate—with long flowing hair and no beard—they say that's how John the Baptist is usually depicted in most works of art.

In fact, there is no evidence that da Vinci was a member of the Priory of Sion or that such a society even existed. The secret files found at the French library were later deemed to be a hoax, scholars say.

http://news.nationalgeographic.com/news ... _code.html
 
Re: No Gospel in "Da Vinci Code" Claims, Scholars

Ramon Mercado said:
Art historians and religious scholars, however, scoff at the idea. Although the person to the right of Christ appears effeminate—with long flowing hair and no beard—they say that's how John the Baptist is usually depicted in most works of art.

Ooops, I hope this is journalistic error.

John the Baptist, I think, was dead at the time of the last supper. Anyway, the discipe in the painting is John brother of James, sons of Zebedee.

John the Baptist is usually pictured wearing camel skins and looking rough. (He lived in the wilderness, ate wild honey and locusts, cut him some slack!)
 
My theory, which is based on no particular evidence is that Jesus was married, but not to Mary Magdalene.

We know nothing about what Jesus did between his early teens and the beginning of his ministry at about 30 years old. Discounting the idea that he visited Cornwall with Joseph of Arimathea then its most probable he spent this time married and bringing up some children. By the time he was thirty his wife may have died and his children married so he was free to start preaching.
 
John/John

rjm wrote
Ramon Mercado wrote:
Art historians and religious scholars, however, scoff at the idea. Although the person to the right of Christ appears effeminate—with long flowing hair and no beard—they say that's how John the Baptist is usually depicted in most works of art.


Ooops, I hope this is journalistic error.

John the Baptist, I think, was dead at the time of the last supper. Anyway, the discipe in the painting is John brother of James, sons of Zebedee.

Yeah, typical sloppy journalism. The "effeminate" John was "the apostle Jesus dearly love". Nudge, nudge. Wink, wink!
:twisted: pat c
 
I can't believe this book is still at the top of the bestseller lists. It seems like it's been there for 2 years now.
 
from thehollywoodreporter.com:

[/quote]French film star Jean Reno has joined Tom Hanks in Columbia Pictures' upcoming film adaptation of Dan Brown's best-selling thriller "The Da Vinci Code." Reno will play gruff detective Bezu Fache to Hanks' famed symbologist Robert Langdon in the film version of the novel that has dominated the best seller list for almost two years. Scheduled to begin production in 2005 for a May 19, 2006 release, "The Da Vinci Code" will be directed by Ron Howard from a screenplay by Akiva Goldsman. Reno, who stars opposite Steve Martin in the soon-to-be-released remake of "The Pink Panther," has appeared in numerous Hollywood films including "Mission: Impossible," "Ronin," the 1998 remake of "Godzilla" and such French films as "Subway," "The Big Blue," "La Femme Nikita" and "Les Visiteurs." Reno is represented by ICM, Amy Guenther at Gateway Management Partners and attorney Peter Nichols. (Staff report)
 
lennynero said:
from thehollywoodreporter.com:
French film star Jean Reno has joined Tom Hanks in Columbia Pictures' upcoming film adaptation of Dan Brown's best-selling thriller "The Da Vinci Code." Reno will play gruff detective Bezu Fache....
[/quote]

Don't know about anyone else, but that's exactly who I visualised when I read the book.
 
Timble said:
lennynero said:
from thehollywoodreporter.com:
French film star Jean Reno has joined Tom Hanks in Columbia Pictures' upcoming film adaptation of Dan Brown's best-selling thriller "The Da Vinci Code." Reno will play gruff detective Bezu Fache....

Don't know about anyone else, but that's exactly who I visualised when I read the book.

cool Jean Reno may manage to raise the quality
 
Very long article in today's Sunday Times about the Catholic conspiracies that Dan Brown missed. Quite a bit of it will be familar to long time followers of weirdness (pus-sipping saints turned up at Un-Con a couple of years back) and we must have discussed the Fatima propeties before.

Sunday Times, Rupert's biggest organ

January 16, 2005

Feature: Stranger than fiction
John Cornwell reports


The Da Vinci Code shocked millions with its claims about the Catholic Church. But the Vatican harbours far more astonishing secrets





At the somnolent heart of Bayswater in London lies a narrow lane over which glowers the gloomy exteriors of three huge terraced mansions known as 4 Orme Court. Within their portals, as any reader of the world's bestseller The Da Vinci Code will tell you, lurk the denizens of the secretive Catholic organisation known as Opus Dei — the Work of God. According to the novel, Silas the psychopathic albino Opus Dei monk hides out here from the French and British police. Silas has a mobile phone, an automatic pistol, and drives a top-of-the-range black Audi. In his cell he whips himself until blood spatters up the wall, while increasing the pressure to the point of agony of the "discipline" spikes strapped around his waist.


In the cold light of day, Jack Valero, PR chief for Opus Dei in Britain, and a "numerary" — that is, a higher-echelon member — gazes lugubriously at me in the lobby of 4 Orme Court. "They come in buses with their copies of The Da Vinci Code," he says. "They look up at the windows, hoping to spot Silas. But there are no albinos here, nor monks. No Holy Grail behind the bookshelves."

Opus Dei, traditionally guarded and still suspect because of its links with the fascist General Franco of Spain (five members of the dictator's cabinet were members of Opus), has been plunged by Dan Brown's novel into the eye of vulgar, mass-market curiosity. "Transparency's the best policy," he says. "I invite them in and tell them we're just a Catholic lay group bringing Christ into our everyday lives and work." But if the success of The Da Vinci Code owes everything to a high-octane mix of fact and fiction about the Catholic Church and its supposed history of conspiracy and secrecy, some facts of life in Opus Dei, albino monks apart, are only slightly less intriguing than Brown's fantasy.

According to Valero, numeraries do whip themselves, but they are not allowed to "draw blood". And they do wear a spiked discipline, "but it is only meant to be uncomfortable rather than actually hurt," he says. "We never wear it in the street." And they do give all their earnings, minus essentials, to the organisation: Murray Hill Place, the new Opus Dei national headquarters and conference centre on Lexington Avenue, New York City, was built at a cost of $47m.

The Da Vinci Code excels, however, at taking bits and pieces of the truth, exaggerating and weaving them into outlandish factions, as the readers are taken on a breathless Blyton-for-adults juggernaut: "Secrets, secrets, secrets... Blah! Blah! Blah!" With lashings of blood, hidden treasure, initiates, adepts, scary professors, codes, sexual rites and oodles of unholy twaddle about Jesus marrying Mary Magdalene, and the Holy Grail being in fact "sang real", namely, blood royal, being their secret holy bloodline... Blah! Blah! Blah! And the Catholic Church wanting to bury all this stuff, which is of course encrypted in the church of Saint Sulpice in Paris. Or is it the church of the Temple in London? Or is it a cave carved out of the living rock under the Rosslyn Chapel, Scotland? And the girl finally kisses her man, a handsome expert on "symbology", destined to be played by Tom Hanks in the planned movie of the book. Blah! Blah! Blah!

The "killer fact" conspiracy of The Da Vinci Code features the Catholic Church attempting to quash through the ages the female nature of God, and a holy ritual involving couples bonking in the inner sanctum. The Knights Templar, according to Brown and a host of historical fantasists, were liquidated by the Inquisition to prevent such "secrets" from coming to light.

But while Brown has exploited a mania for cocktails of religion, conspiracy and mystery, his seductive factions are anaemic compared with the authentic secrets and conspiracies of Holy Mother Church. For such is Catholicism's rich inheritance, it inhabits far more wide-ranging and fascinating dimensions of the mysterious.

Take an alternative blurb: "In the depths of the first world war, Portugal is wracked by a Communist revolution; churches have been burnt, priests and nuns murdered. On May 13, 1917, the Virgin Mary appears to three peasant children in a remote place called Fatima. The size of a doll, and hovering over a bush, she imparts three cosmic secrets. The first predicts the end of the war. The second predicts the coming of another world war if Catholics do not pray to Mary. The third secret is to be entrusted to the Vatican, and revealed on May 13, 1960 by the pope of the day. With trepidation, Pope John XXIII opens the envelope on the appointed date. Stunned by what he reads, he consigns the secret to the deepest, darkest Vatican archive, where it moulders until May 1981. He will not publish it. The rumour spreads that it is the date of the nuclear holocaust. Shortly after the attempt on his life in St Peter's Square, which occurs on the Feast of Our Lady of Fatima, May 13, 1981, Pope John Paul II calls for the long-forgotten secret. He finds that it is a prophecy: that a pope will be the victim of an assassination attempt."

The improbable plot, with its mix of global politics, violence and prophecy, is not pulp fiction, but just one item in Catholicism's huge repertoire of authentic tales of the unexpected. The facts are these: in the autumn of 1980, a Turkish hitman, Ali Agca, arrived in the Bulgarian capital of Sofia, having escaped from prison in Istanbul and acquired a Bulgarian passport. He travelled Europe for several weeks, arriving in December 1980 in Rome, where he bided his time. On the afternoon of May 13, 1981, as John Paul was driven through the crowds in St Peter's Square, Agca opened fire with a semi-automatic pistol. One of the bullets tore through the pope's abdomen. Nobody knows for certain who had hired the killer; although it is believed the Soviet Union's president, Leonid Brezhnev, gave the order to the KGB chief Yuri Andropov, who enlisted the Bulgarian Soviets.

Recuperating in hospital, John Paul pondered the fact that the attack occurred on the Feast of Our Lady of Fatima, the anniversary of the day, at the "very hour" that the Virgin had imparted the third secret to the children. Requesting the text from the archive, John Paul discovered that it was about a pope who would be shot by "atheists". The subject of the prophecy, he was totally convinced, was himself. On May 13 of the following year, 1982, John Paul travelled to the shrine of the Virgin of Fatima to place the bullet in the crown of the Virgin's statue. He told the faithful that one hand guided the gun, but it was another, "a motherly hand, which guided the bullet millimetres away from vital blood vessels", which "halted him at the threshold of death".

John Paul's long-held conviction about the interventionist role of the Virgin Mary in history had thus been continued. He came to believe, moreover, that the collapse of the Soviet Union in 1991 was linked to all the other messages the Virgin had imparted to the three Portuguese peasant children. Only in 2000 did he finally sanction the public announcement of the third secret. Senior cardinals of the Catholic Church later gave doctrinal legitimacy to the prophecy, confirming that the faithful should give credence to its mighty significance.

Secrets are invariably about power. The Pope's survival indicates he was saved for nothing less than to bring about the downfall of the Soviet Union. Hence John Paul emerges as the greatest pope in modern history, his papacy, policies and agendas endowed with mystical certitude. The secret defines and encompasses the 20th century, and the huge forces of good and evil beyond the veil of appearances. The cult of the Fatima secret, for members of the faithful, reveals the power of heaven. But many of Catholicism's secrets stem from the church's history of defence against enemies, from raging Roman emperors, like Valerian, to murderous French revolutionaries; from Elizabeth I's priest-hunters to the Soviet commissars. Hence the imperative for discretion and evasion. Some of the church's most malignant adversaries, moreover, emerged from within — not least the constipated, haemorrhoid-tortured Martin Luther, who had been a Catholic Augustinian monk before he publicly burnt the Roman Catholic Code of Canon Law, took a woman into his bed, and sparked the Reformation.

In epochs when Christianity was powerful enough to threaten its opponents, notably Islam, cabals thrived. "Interior" knowledge involved magic spells, potions and astrology culled from the crusading knights' enemies. The church's inquisitors readily ascribed occult practices to Catholicism's perceived enemies; the infamous blood libel against the Jews involved the accusation that Christian children were spirited away to be sacrificed in secret Jewish rituals. Catholicism's most mysterious, treasured object, the shroud of Turin, often believed to be the Holy Grail itself, is a 14th-century fake, according to carbon-dating experts. But worse than that, it required a human model, who was clearly tortured and crucified: almost certainly that model was a Spanish Jew, making the shroud a relic to Jewish rather than Christian suffering.

In time, the church's missionary Jesuits, pitched against Protestants such as Queen Elizabeth, became a byword for espionage as they formed underground networks while keeping Catholicism alive. They were deemed by Protestant priest-hunters to be cruel fanatics. Jesuits were believed to be party to Guy Fawkes's conspiracy to blow up parliament. Under Queen Elizabeth, Catholic "massing priests" were gleefully hung, drawn and quartered at Tyburn.

But the Catholic Church had already done more than its fair share of man- and woman-hunting under the auspices of the Inquisition. According to one recent academic authority, in the 17th century the Inquisition was responsible for sending some 32,000 victims to the stake for heresy. The trials preceding sentencing were characterised by closely guarded secrecy relating to the witnesses' identities, the charges and the developing case of the prosecution. According to Norman Cohn, the author of Europe's Inner Demons, the inquisitors winkled out the secrets of witchcraft from thousands of women, even girls under the age of 10, sending them to their deaths. According to a leading confessor of alleged witches, Father Frederick von Spee, a Jesuit of Wurzburg, all the women he heard confess before their executions were innocent.

The secrets of the Roman Inquisition, which thrived in Italy mainly in the 16th century, slumber in the bowels of the Vatican. I've seen the wormy vellum files in which they are contained, thousands of them in the basement beneath the office of the Congregation for the Doctrine of the Faith, now run by Cardinal Joseph Ratzinger.

Apart from these, the most intriguing secrets in the Vatican's vast archive relate to burgeoning secular nation states, many of them rabidly anti-Catholic and anti-papal, in the period following the French revolution. The network of bishops, priests, religious orders and nuncios in every country was a rarely exploited source of political intelligence. Serious Vatican espionage was first developed by a few dedicated professionals. The most famous Scarlet Pimpernel of the period was Abbé de Salamon, Pope Pius VI's official spy in Paris. By day, Salamon wandered the streets picking up information in shops and taverns; by night he hid out under a kiosk in the Bois de Boulogne. He employed trusted couriers across Europe to maintain a clandestine channel of communication to Rome, as the official post was under surveillance; and reported on the events of the revolution, especially legal assaults against the church, which culminated in the massacre of hundreds of priests. He was arrested and imprisoned, but managed to talk his way free, to return to his spying for the pope.

Another spy master was Francesco Capaccini, based in Holland and Belgium from 1829, during a period when anti-Catholic subversives were fomenting revolution in the Papal States in the midriff of Italy. Capaccini had agents inside the government and the royal court of the House of Orange. He discovered conspirators in the Papal States spreading revolutionary literature, and persuaded one to become a double agent, thus exposing the others, who were then arrested.

Capaccini had been a cryptographer in the papal secretariat of state. He designed codes for his personal use and persuaded the pope of the day, Leo XII, that polyalphabetic ciphers were the most secure systems. Invented in the 15th century by the polymath Leon Alberti and the cryptographer Matteo Argenti, polyalphabetic systems avoided the fixed substitution of letters of the alphabet with the same cipher symbols throughout a message (for example, A always being Z); instead the system provided for layers of substitutions to confuse the decoder.

Deep in the Vatican archives are records of conspiracies that have become the stuff of legend, many stories remaining unresolved to this day. Some involve the violent deaths of past popes. The first pope to be assassinated was John VIII, poisoned in AD882 by members of his entourage. The potion took so long that his fellow prelates clubbed him to death. Others were hastened into eternity usually from poison in the form of powdered glass deposited in a pope's figs or his lunchtime melon. In the period of the Borgias, mayhem became routine. In 1503, Pope Alexander VI died of poison intended for another. It was thought to be arsenic in his wine. His flesh turned black, froth formed around a hugely distended tongue, gas hissed and exploded from every orifice. His body was so swollen that the undertakers had to jump on his stomach to close the coffin lid.

Suspected assassinations and spectacular assassination attempts have continued into the 20th century. Pius XI, the pope of the 1920s and 30s who had originally espoused fascism but later turned against the Duce, was said to have been murdered with a contaminated injection by Mussolini's daughter's lover, a doctor.

Outlandish conspiracy theories persisted beyond the end of the second world war. One allegation, popular among left-wing radicals in the church, involves the charge that Paul VI, pope from 1963 to 1978, was relieved of his office by three powerful cardinals because he was too much of a socialist. They allege that the pope was replaced by an impostor. Photographs have been published to show that the shape and eyes of the earlier and later Paul VIs, especially the distinctive shape of his ears, indicate two different men. As late as 1983, an editor on the British Catholic paper The Universe, Piers Compton, reported the rumour that the real Pope Paul VI was living in hiding in a suburb of Rome five years after the death of the impostor.

A more recent and unchallenged conspiracy involves the killing of two Swiss guards and a woman in a hail of bullets on the night of May 4, 1998, within the Vatican City. The victims were the commander of the Swiss Guard, Alois Estermann, his wife, and a young lance corporal, Cedric Tornay. It was the most shocking bloodbath to take place within the Vatican in centuries. After just four hours, and without proper forensic investigations, the Vatican announced that Tornay, 23, had shot the couple and then committed suicide in a "fit of madness".

In subsequent months, independent inquiries unravelled the Vatican's account. It appeared that the two men were in a sexual relationship, and that the elder, Col Estermann, was a bullying and proselytising member of Opus Dei who wanted to turn his charges into "soldier monks". In a strange interweaving of gay and straight sexual relationships, complicated by harsh religiose military discipline and the ambitions of Opus Dei within the Vatican, the truth about the killings has been shrouded in secrecy. Cardinal Sodano, the equivalent of prime minister in the Vatican, said at Estermann's funeral: "In times like these, we feel above all the need to be silent." On Sodano's orders, the Swiss guards were sworn to secrecy on the matter. John Follain, the author of the only in-depth investigation of the affair, City of Secrets, has commented: "Even today, the conspiracy of silence and the refusal to admit any responsibility prevails... the Vatican's inquiry remains closed, the files still locked away."

The popes have always had ultimate control over their archives. To this day, no material dated after 1922 and relating to the popes can be scrutinised. The rule has dismayed scholars trying to get at the truth of the conduct of Pius XII during the second world war. He was charged with remaining silent on the Jewish Holocaust despite knowing of the deportations. Paul VI allowed a book of wartime documents to be printed in the 1970s, but a recent body of Jewish and Catholic scholars abandoned a joint study on the question when the Vatican refused to open up the archive originals. Portions of the secret archive have been placed out of bounds for even longer periods, especially the details of what many church historians regard as the most sinister and detestable conspiracy in the history of the Catholic Church: the anti-modernist campaign of the first decade of the 20th century.

The term "modernist" was applied as a term of abuse to priests, bishops and even cardinals suspected of introducing modern critical thinking into church teaching: for example, the notion that the Bible might not be strictly, literally true, but in places metaphorical. The chief anti-modernist spy master was a neurotic prelate, Umberto Benigni, who had the ear of the then pope, Pius X. As a young man, Benigni had run three newspapers and a news service and was skilled in modern communications, which he developed into unprecedented systems of espionage. He persuaded thousands of seminarians, priests, monks, nuns and prelates to spy on each other and report back to his office in Rome. A chance word in a refectory, or being seen with a "suspect" book, might be enough to be "delated", or reported to Benigni's office in Rome. Dismissals were instant, but the charges and "witnesses" were kept a secret. Those who attempted to defend someone who had been delated were usually themselves punished. An English modernist, Father George Tyrrell, was even denied a Christian burial. In the last days of the campaign, Benigni became acutely paranoid and began charging cardinals in the Vatican with modernism. The campaign ended with the death of Pius X in 1914 and the arrival of a new pope, Benedict XV. Benigni ended up spying for the Russians, but the consequences of his plotting were far-reaching, discouraging new scholarship and any debate within the church for decades.

The Vatican, with its long experience in diplomatic secrecy, employed sophisticated methods of espionage during the second world war, when the Vatican City state was threatened on all sides and dependent on Mussolini's Italy, even for electricity and water. Pius XII kept his diplomatic channels open by employing a sophisticated code known as "Green", which has never been divulged. In 1940 he secretly warned the Belgians and Dutch that Hitler was on the verge of invading their countries. That same year, Pius was involved in the most dangerous and feasible plot to bring down Hitler in the entire war. So secretive was he about its details that he did not even confide them to his secretary of state, Cardinal Luigi Maglione. The scheme was for a group of leading German generals and former politicians to depose Hitler in a coup. The pope acted as a go-between with the British government, from whom the conspirators wanted a guarantee not to exact reprisals against a new German government. The British failed to play ball and the plot fizzled. But the historian Harold Deutsch has judged it "among the most astounding events in the history of the papacy".

The lives of many Jews and other displaced persons were saved by Catholic initiatives during the war: convents, monasteries and parts of the Vatican were used as safe houses. But if Pius XII is to take credit for this, he should equally take the blame for them becoming safe houses for Nazi criminals fleeing justice after the war.

The secrets of the Catholic Church are fraught with paradoxes: it has exhibited generosity, fortitude and self-sacrifice alongside greed, malevolence, self-indulgence and sheer folly. Many are the church's saints and martyrs who displayed remarkable self-denials and self-sacrifice. Buried in the religious archives of nuns' and bishops' palaces, however, are tales of religious characters whose psychological dysfunctions make Dan Brown's Silas look sane. Fasting, self-induced vomiting, self-flagellation and outlandish self-denials indicate widespread anorexia and bulimia in convents in the late Middle Ages and the Renaissance. St Catherine of Siena, records show, attempted to obliterate her "bodily senses" by drinking a cup of pus she had squeezed from the cancerous breast sores of a woman patient. St Margaret Mary Alacoque, who had suffered abuse from a violent mother, would eat quantities of cheese, to which she had an allergy, to make herself sick.

St Mary Magdalene de Pazzi, at the age of 11, would spend nights flagellating herself. Later, in the convent, she would lie naked on a bed of sharp branches and splinters in a woodshed to combat temptations against chastity.

Strange goings-on in convents have been revealed in the 17th-century records of Venice. Following the tightening of rules in convents at the Counter-Reformation, nuns, many of them forced into it by parents who couldn't afford to marry them well, were determined to enjoy a social and sexual life. The Cambridge scholar Mary Laven has revealed in her book Virgins of Venice the secrets of long-hidden cases tried 400 years ago in the Doges' court. They involve nuns hiding men in boxes for the shared sexual delight of the sisterhood, and exchanging cakes and other delicacies for the sexual favours of plumbers and plasterers. Men caught breaking the convent enclosure could be executed or exiled.

Many of the most lurid secrets of the church span an era that runs from the Dark Ages to the recent past. One shocking tradition, still obscured by rival accounts and theories, involves the existence of a woman pope: Pope Joan. The earliest version, dating from the 13th century, claims that in the year 1100 a talented woman, dressed as a man, became a member of the curia, the Vatican bureaucracy, and later a cardinal, and finally pope. After riding out on horseback, she gave birth prematurely to a son. According to the account written by the Dominican chronicler Jean de Mailly, she was bound to the tail of a horse and dragged through Rome before being stoned to death by a mob.

The most compelling of all the mysteries in recent times, and a result of the Vatican mania for secrecy, is the story of Pope John Paul I, who died after just 33 days in office. The so-called smiling pope, who read Readers' Digest and went to bed at 9pm, was, according to David Yallop's book In God's Name, the victim of a murder conspiracy on the part of bishops and cardinals in the Vatican in league with Freemasons. They plotted to murder the pope, Yallop says, as he was about to spill the beans on corruption in the Vatican Bank and allow birth control. Yallop suggested they put poison in his early-morning coffee. The conspiracy theory flourished in the absence of transparency: Vatican officials lied about the circumstances of the death to avoid admitting that a nun took the pope coffee in bed every morning. The truth is, John Paul I died of an untreated embolism.

The Vatican Bank, however, whose euphemistic full title is the Institute for Religious Works, is a highly secretive finance house that has helped the poor and the victims of hunger and disaster since it was founded after the second world war. But in 1982 it was ordered by the Italian government to pay $1/4 billion in compensation for its part in the collapse of the Milan-based Banco Ambrosiano as a result of fraudulent deals done in the mid-1970s. The Vatican had issued "letters of comfort" to creditors, even though the Ambrosiano was in dire trouble. The head of the Vatican Bank at the time, Archbishop Paul Casimir Marcinkus (who, Yallop alleged, was one of the co-conspirators in the death of John Paul I), informed me in an interview in 1987 that he had found the money for the fine by raiding the Vatican's pension fund. The archbishop failed to see that he had done anything wrong.

Marcinkus evaded arrest in Italy by hiding inside the Vatican City for several years in the early 1980s. Magistrates in Milan had issued warrants, hoping to put him on trial for alleged fraud along with the mafia banker Roberto Calvi. In 1982, Calvi was found hanged under London's Blackfriars Bridge. The death was made to look like a Freemasonry execution: his pockets were filled with bricks and he was left suspended, to drown at high tide. Scotland Yard remains baffled as to whether it was suicide or murder.

Marcinkus survived as head of the bank until 1992, working closely with the present pope. John Paul II used his Vatican Bank and secret connections in Poland to give Solidarity, the Polish union, $32m dollars to help in the struggle against the Soviet Union. If Marco Politi and Carl Bernstein, authors of the papal biography His Holiness, are to be believed, John Paul joined in a conspiracy with Ronald Reagan and the CIA to keep track of Soviet troop movements in order to manipulate the peaceful resistance against the regime in the late 1980s.

Enticing to every age in history, although less promising for saleable pulp fiction, Catholicism, like the other great world religions, has at its heart a cluster of authentic spiritual mysteries that owe nothing to codes, conspiracies and dodgy legends. Religion is, among other things, about the secret places of the soul and hiding places of God. For many worshippers the silence and semi-darkness of a church put them in contact with a spiritual presence.

To this day, some of the most impressive places on Earth are the Carthusian monasteries of the Catholic Church, where monks live their lives in silence, solitude and secrecy. Even though vocations to the priesthood are rapidly declining in many countries, monasteries that offer the most rigorous and austere spiritual routines, such as the Carthusian community at Parkminster in West Sussex and the Benedictines of Pluscarden in Scotland, are thriving, filled with novices.

Unlike Brown's Silas, the monks in such places don't wear spikes or flog themselves with whips; nor do they tote automatic pistols, nor make calls on mobiles, nor have access to smart Audis. They lead uncomplicated lives of prayer, fasting and study, coming together in church, where the conspiracies are few and far between, and in the refectory, where the food is simple and the contents of their beakers low-octane.


THE FATIMA SECRETS: HOW THE VIRGIN MARY IMPARTED THREE PROPHECIES TO THREE PEASANT CHILDREN

The predictions

On May 13, 1917, the Virgin Mary is said to have appeared to three children in the Portuguese village of Fatima. She conveyed three prophecies to them, including the ending of the first world war, and a second world war. The third prophecy was to be entrusted to the Vatican and revealed on May 13, 1960, by the then pope. It was Pope John XXIII who opened the envelope containing the Virgin's predictions but, apparently shocked by its contents, he consigned it to the Vatican archives again. After surviving an attempt on his life on May 13, 1981, Pope John Paul II opened the envelope. The third prophecy was that a pope would fall victim to an assassination attempt.
 
Accusations of Hackery are moot points, surely!

Having visited Rosslyn Chapel, recently, I had to laugh when remembering the "awe"-imbued description of the place in 'The Da Vinci Code'. Sweet old dears sold coffee, American tourists mingled with indifferent, jobsworth locals in a fragile, still working episcopalean chapel - St Matthews, Rosslyn to be precise.
I don't think Dan Brown has visited Rosslyn - a fictionalised real place is fine, for example when Spielberg cannibalised the city of Petra for 'Indiana Jones 3' - but the preternatural aura is somewhat stifled by the rickety scaffolding in place around the superstructure for the last year. For a significant masonic site, the stonemasons have obviously been procrastinating the job. Nice to know that it isn't just terraced houses workmen take their time over.
The place does have a tangible, almost purifying aura. I went with a group of friends as a living Bernard Manning joke - A Catholic, a muslim and a follower of judaism - and we all sensed something wonderful.
On a conspiratorial note, the coffee and gift shop had exclusive souvenirs that were almost too ornate for their price in such a remote tourist venue (with multiple copies of Dan Brown's meisterwerk all over the shop - literally) and the Royal family appeared (in station of the cross format) in photographs recounting the frequent visits they made throughout the twentieth century. Prince Charles opened the gift shop in 1998. I'll just let that sink in . . . Prince Charles opened a gift shop.
Add to this the fact that there are no effigies of the cross or christ in the chapel itself - the episcopaleans relying upon portable brass crosses for services - and that teh local hostelries were too good to be true - cheap beer and steak-pie to die for.
Where in the Da Vinci code does it say: "Nervously, Langdon approached the till. "One for the chapel please!"
"That'll be a fiver, ye ken?"
Langdon outreached a five pound note towards the checkout. He gulped, "How much for a tea and scone?"
"A fiver." grimaced the frumpy counter-maid "By, the way," she added "That ticket gives you entry to the masonic exhibition . . . "
 
Looks like despite complaints about accuracy the French are happy enough for them to use the real locations for the movie. Wonder what they'll do at Rosslyn.

Louvre allows Da Vinci Code shoot
France has allowed the makers of the Hollywood film version of hit novel The Da Vinci Code to shoot in the Louvre Museum, home of Da Vinci's Mona Lisa.
The French culture ministry said: "Yes, it is scheduled to go ahead. There is no problem."


The film, to be directed by A Beautiful Mind's Ron Howard, is due to start filming at the Paris museum in May.

The movie version of Dan Brown's book will feature Tom Hanks in the lead role of Dr Robert Langdon.

The Da Vinci Code, a thriller set in the art world and involving a conspiracy about the true identity of the Holy Grail, has sold more than 17 million copies around the world and become one of the publishing events of the last decade.

It has already spawned a thriving industry related to some of the location and sites featured in the book.

Already, guides in the French capital offer tours exploring areas featured in the book, and some of the theories linked to the work of Renaissance artist Leonard da Vinci, a key character in the book.


A production team for the film has already visited the venue to scout for locations in the Grand Gallery, where the Mona Lisa is kept.

Louvre director Henri Loyrette told France's Inter Radio: "We have agreed in principle. There is really a very strong desire to see the film adaptation of this book, which is world famous, shot at the Louvre."

The gallery has already been used in film shoots before. The French horror thriller Belphegor (1999), about a ghost which haunts the famous art museum, was partly shot there.

The filming is likely to take place at night and on Tuesdays, when the museum is closed.

Story from BBC NEWS:
http://news.bbc.co.uk/go/pr/fr/-/1/hi/e ... 196221.stm

Published: 2005/01/21 17:48:05 GMT

© BBC MMV
 
"Amelie" star selected for film of "Da Vinci

French actress Audrey Tautou, star of the hugely popular "Amelie", has been chosen to play the female lead in the film version of US author Dan Brown's best-selling thriller "The Da Vinci Code."

Tautou will play Sophie Neveu, the young French woman assisting Professor Robert Langdon -- whose role will be taken by Tom Hanks -- in his investigation. The detective Bezu Fache will be played by Jean Reno, the daily Le Parisien paper said.

US director Ron Howard has been charged with the film adaptation of the novel, which has sold more than 20 million copies worldwide. The movie will be produced by Columbia/Sony Pictures with a budget of around 100 million dollars and is due for release on May 19, 2006 in the United States and France.

According to Le Parisien, other French actresses considered for the role of Sophie Neveu included Vanessa Paradis, Sandrine Bonnaire, Judith Godreche, Sophie Marceau, Juliette Binoche and Linda Hardy.

The film will be 26-year-old Tautou's 17th.

link
 
Perhaps the most amusing thing resulting from the popularity of the 'DaVinci Code' is the number of die-hard protestants ( mostly baptists and pentecostals ) now finding themselves in the position of having to defend the catholic church from the exceedingly specious claims made in the book. If 'dat ol' debil' the catholic church conspired to twist and distort what is basically 99% of what we know about Christ, and the very concept of christianity is actually some extremely eloborate scam, then ALL of christendom is in really big trouble. Bullshit makes awfully strange bedfellows.
 
You can tell you're a successful author when everyone sues you for plagiarism...

Plagiarism charge leveled against Exeter author

By Gina Carbone
[email protected]


Dan Brown is the main character in an unexpected new mystery. While the Exeter author’s fourth thriller "The Da Vinci Code" skyrocketed to the top of the best-seller’s list after its March 18 debut, his newfound celebrity has not come without challenges. Not the least of these are allegations put forth by Lewis Perdue, author of a dozen books including "The Da Vinci Legacy" and 2000’s "Daughter of God."

Last week Perdue sent a letter to Brown’s publisher, Doubleday, alleging that Brown’s story of hidden codes in Leonardo Da Vinci’s artwork and secrets of the Roman Catholic Church is too close to "Daughter of God" for it to be an accident.

"To me, the biggest smoking gun is there is a painting which contains, physically, a gold key, which leads to a safe deposit box in a Zurich bank, which contains the ultimate clue leading to the treasure," Perdue told the Associated Press. "And the two people retrieve this from the safe deposit box as the bad guys are closing in and they escape by the skin of their teeth."

While Perdue told the AP he and his lawyers have decided to take legal action, Brown has repeatedly stated that until last week, he had never heard of Perdue nor read any of his books including "Daughter of God."

"He’s looking for publicity and that’s exactly what he’s getting," Brown said in a phone call to the Portsmouth Herald on Tuesday. "From what I understand, this sort of thing happens all the time with best-selling authors. When ‘Da Vinci Code’ debuted at No. 1, I got a lot of calls from big authors congratulating me and also warning me to watch out because there will be people coming out of the woodwork."

Plagiarism allegations are almost common for successful writers. As Stephen King writes on his Web site, "I’ve been sued for plagiarism 8 or 9 times."

In 1996, a plagiarism suit filed against "The Chamber" author John Grisham by the lawyer for executed killer Ted Bundy was dismissed. And last year a New York court threw out a Pennsylvania-based author’s claim for plagiarism against Harry Potter scribe J.K. Rowling.

"The comment that I have is to say as unequivocally as possible that Dan Brown has never heard of Mr. Perdue before he wrote his letter and never read his book and his claim is as much without merit as a claim can be," said Brown’s attorney, Michael Rudell, who represents "numerous well-known authors in the entertainment industry."

"I’m sure Mr. Perdue wishes he had written a No. 1 book, unfortunately he did not."

Adds local bookstore owner Tom Holbrook, "No one’s read (‘Daughter of God’) - including Dan Brown."

"It’s like saying two people decided to write a novel about the Cuban Missile Crisis. It would obviously have some of the same facts and ideas about it."

Holbrook co-owns RiverRun Bookstore in Portsmouth, also owned by Bob Hugo and Dan Chartrand of Water Street Books in Exeter - Brown’s hometown store. A former English and creative writing teacher at Phillips Exeter Academy, Brown has credited the Water Street staff as instrumental in helping him research books like the fact-driven "Da Vinci Code."

While some allegations like Perdue’s lead to successful lawsuits, Holbrook thinks the author’s envy may be stronger than his case.

"I can understand the guy being upset that (his book) didn’t do well," Holbrook said. "What (‘Da Vinci Code’) is most like is ‘Angels and Demons’ which Dan wrote five years ago."

Robert Langdon, Brown’s protagonist in "Angels" and "Da Vinci Code," is a professor who studies religious symbols. Lewis Perdue’s hero in "Daughter of God" is a professor of religion. Brown’s heroine is a cryptologist; Perdue’s is an expert specializing in art forgery. Both books deal with curator deaths and hidden Swiss bank accounts.

"Swiss bank accounts are so often in thrillers they are cliché," Brown told AP, adding that there are limited places to hide a key in an art museum. is a professor of religion. Brown’s heroine is a cryptologist; Perdue’s is an expert specializing in art forgery. Both books deal with curator deaths and hidden Swiss bank accounts.

While "Angels" was released before "Daughter," Perdue said "Daughter" is a re-edit of his 1985 book "The Linz Testament" with the same hero with a different name.

Still, from characters to writing style and substance, Holbrook says "Da Vinci" is the real deal.

"It’s so obviously a piece (by) Dan Brown."

The Associated Press contributed to this report


Has anyone heard of this Perdue bod?


Exeter News-Letter (place name plagiarised from an original in the UK)
 
well the book and any grail theories got a damn good bashing on Channel 4 from Tony Robinson no less!
 
I watched that - it spent a lot of time not telling us anything really.
To much ground to cover for a tv show.
They should have spent more time on the paintings, and the clues within.
I may be wrong, but first book, that the Da Vinci code is drawn from, dont they come to the conclusion that JC is buried in France?
 
er, no.

But hang on, there is a dreadful fat volume on my shelves called The Tomb of God by Richard Andrews & Paul Schellenberger which claims that. The usual daft lines on old paintings. Absolute tosh. Part of a vast industry, I'm afraid.

The Tony Robinson show was a bit long-winded - and the ratio of ads to show has made these things nearly unwatchable raw.

I liked the revelation (to me) that one of the prime movers in the hoax was a noted surrealist.

That's why the whole thing sits so happily in France.

Baldrick seems to be tracing a lot of bloodlines recently. Last time out he was proving that our rightful sovereign should be a republican-minded Aussie gent.

I was glued to the Henry Lincoln shows as a lad. Fifteen is about the age for it. But after twenty-five, it seems terribly sad. :(
 
'Genisis' by David Ward claims (or suggests) that Jesus is buried in France - the book also suggests that humans are derived from genetically manipulated apes, apes that had this done to them by aliens. And that those aliens became the gods of ancient Egypt, hence the pun in the title. The book is full of maps of Rennes overlaid with diagrams joining the various sites of interest within pentagrams, etc..

And all this stemming from a hoax - which just goes to show how much mileage the mind and imagination will make from one story.
 
James Whitehead said:
er, no.

But hang on, there is a dreadful fat volume on my shelves called The Tomb of God by Richard Andrews & Paul Schellenberger which claims that. The usual daft lines on old paintings. Absolute tosh. Part of a vast industry, I'm afraid.

Phewww, im not totally mad.
 
Don't read Da Vinci Code, says cardinal

greets

Don't read Da Vinci Code, says cardinal

Associated Press in Vatican City
Wednesday March 16, 2005
The Guardian

If you are not among the millions who have already read The Da Vinci Code, an Italian cardinal has a plea for you: don't read it and don't buy it.

Cardinal Tarcisio Bertone, the Archbishop of Genoa, who previously was a high-ranking official of the Vatican's office on doctrinal orthodoxy, told Vatican Radio yesterday that the runaway success of the Dan Brown novel was proof of anti-Catholic prejudice.

Allegations in the novel that Jesus married Mary Magdalene and has descendants have outraged many Christians and have been dismissed by historians and theologians.

"The distribution strategy has been absolutely exceptional marketing, even at Catholic bookstores - and I've already complained about the Catholic bookshops which, for profit motives, have stacks of this book," the cardinal said. "And then there's that strategy of persuasion - that one isn't an adult Christian if you don't read this book. Thus my appeal is, 'don't read and don't buy' the book."

Asked about commentary that the book's success is "only further proof of the fact that anti-Catholicism is the last acceptable prejudice", the cardinal said: "It's the truth. There's a great anti-Catholic prejudice. I ask myself if a similar book was written, full of lies about Buddha, Muhammad, or, even, for example, if a novel came out which manipulated all the history of the Holocaust or of the Shoah, what would have happened?"

· The Da Vinci Code was published two years ago. It is available in 44 languages.

http://books.guardian.co.uk/news/articles/0,6109,1438491,00.html

mal
 
I smell disinformation and distraction here, the Catholic Church going don't read a book. is this the same church as the one in the lkate 1930's early 1940's?

the distraction being the pope is very unwell and possibly not capable of doing his job yet the only way for him to leave it is through death.
 
The Da Vinci code is a fantastic gripping novel and a far better read than that other great work of fiction The Bible.
 
Elffriend said:
The Da Vinci code is a fantastic gripping novel and a far better read than that other great work of fiction The Bible.

I hope you are joking. Really.

To compare the two on any level, the bible is the better book. The allagory, myth, imagery and symbolism (excluding any religious signifcance) of the bible is worthy of any Shakespeare - and I would say the same for the Koran or Torah.

Of course the Bible isn't meant to be taken literally and don't allow any placard weilding fundie to tell you that all christians follow the bible literally, very few do.
 
Link http://story.news.yahoo.com/news?tm...nm/20050321/en_nm/religion_britain_davinci_dc

British Cathedral Seeks Truth Behind 'Da Vinci Code'

Mon Mar 21, 8:28 AM ET Entertainment - Reuters



LONDON (Reuters) - A British cathedral is on a quest to discover the truth behind Dan Brown's runaway bestseller "The Da Vinci Code."



Manchester Cathedral is hosting a Da Vinci night Monday, where experts including an author and theologian will field questions about the book, which has spurred anti-Christian charges.


"Everyone's fascinated by mystery, secrets and the dark side," said event organizer Canon Robin Gamble.


"This gripping thriller asks lots of questions: Did Jesus really die on a cross? Was the Grail the 'cup of blood?' Is Easter Day fact or fiction? And why does it matter?"


"The Da Vinci Code" is a modern-day quest for the Holy Grail, the chalice from which Jesus and his disciples are said to have drunk at the Last Supper.


The book says Jesus married Mary Magdalene and had children. But Christians are taught that Jesus never married, was crucified and rose from the dead. The storyline has aroused anger among Christians.


The cardinal leading the Vatican (news - web sites)'s charge against "The Da Vinci Code" urged Catholics last week to shun it and branded the bestseller "a sack full of lies insulting the Christian faith."


Might be worth going to this though it doesn't say which Monday it's on.

Does anyone know?

H.
 
Hmmm having checked the Manchester Cathedral Website I can't find any no mention of this. :?

H.
 
Sorry but this sounds like the Manchester 'management' trying to cash in on the popularity of the book.

"Oh, look! There goes another Templar allegory! Take a photo, Margie!"
"No need - they're selling postcards of it in the gift shop."
 
Source

[edited link- Quixote]



The Da Vinci Code Movie Heads for Scotland
By James Wray Apr 17, 2005, 14:24 GMT

The makers of the forthcoming movie adaptation of Dan Brown's best-selling novel The Da Vinci Code have agreed terms that will allow them to film at Rosslyn Chapel in Scotland.

The chapel features in the climax of novel and it was thought that filmmakers had decided to build a replica following lack of any agreement.

However, speaking to the Scotland on Sunday supplement the chairman of the Rosslyn Chapel Trust said: "We have an agreement with Rose Line productions to film, subject to contract, this summer."

The book starts with the murder of a Lourve curator and the clues he leaves behind, which send Robert Langdon on a journey that leads to a well-protected secret that could change Christianity forever.

Tom Hanks, Jean Reno and Audrey Tautou star with Ron Howard directing from a screenplay by Akiva Goldsman.

It is thought filming at the chapel will take place over a week near the end of August.
:D
 
Well, it's difficult to imagine them making the film without Rosslyn.

By the way, Secrets of the Code edited by Dan Burstein, and Secrets of Angels and Demons are excellent. They're a collection of articles, interviews, etc with specialists in the fields mentioned in the books. So they're pretty much a compendium of Fortean subjects in some ways. Much much better than any other cash-ins.

I also notice that Holy Blood, Holy Grail is No. 1 Bestseller according to BBC History magazine! :shock:
 
McKellen 'joins Da Vinci movie'


British actors Sir Ian McKellen and Alfred Molina have signed up to appear in the film adaptation of the Da Vinci Code novel, according to a report.
The movie version of Dan Brown's best-selling book also stars Tom Hanks and French actress Audrey Tautou.

Hollywood paper Variety reported The Lord of the Rings star Sir Ian will play aristocrat Sir Leigh Teabing.

Spider-Man 2 actor Molina will play Bishop Aringarosa, head of the Opus Dei sect, it added.

Filming on The Da Vinci Code, which will be directed by Ron Howard, who made Apollo 13 and A Beautiful Mind, is due to start later this year.

The thriller mixes the worlds of art and religion and involves a conspiracy about the true nature of the Holy Grail.

The Louvre Museum, home of Da Vinci's Mona Lisa and scene of a gruesome murder at the beginning of the novel, has given permission for filming to take place there.

Hanks will play the lead role of Dr Robert Langdon in the thriller, while Tautou will play his sidekick, Sophie Neveu.

The book has sold more than 17 million copies around the world and become one of the publishing phenomenons of the last decade.

It has already spawned numerous spin-off industries relating to some of the locations featured in the book.
 
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