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The Fox Sisters & Spiritualism

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Anonymous

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Reading FT this month I was intrigued by the mechanical messiah (what was going through his mind!!!) but then I started thinking about the Fox sisters who were mentioned in the article.

I seem to remember reading that one of the Fox sisters later turned traitor to the spiritualist movement and admitted that the whole thing had been a fraud and the rappings a result of particularly noisy clicking toe-joints. BUT then I read recently somewhere that this confession was later recanted and that she maintained the whole thing was for real...

So, did she ever confess or was this a skeptics fabrication...........
 
You're right, Blueswidow.

The Fox sisters toured and were very popular for many years. The phenomena in their "act" included raps, table tipping--the canonical Spiritualist stuff.

However, by 1888, they were being investigated for fraud, and their performances were marred by drinking. In one, Maggie publicly denounced Spiritualism and said the rapping sounds were made by toe cracking. She later recanted.

What's interesting, though, is that the first entity to appear to the Fox sisters (in 1848) called itself Charles Rosa. He claimed to be a peddlar who was murdered by a former owner of the house and buried in the cellar. After the deaths of the Fox sisters, in the early 1890s, a skeleton was discovered in the cellar of their cottage.

Believers believed it; skeptics claimed it was planted. As it was, so shall it ever be.
 
Surely we prey to our own "mechanical messiahs" every day in the form of Televisons, Automobiles, Computers and the like.

Niles "to the point" Calder
 
Mediums sometimes talk about 'vibrations', saying that the other side vibrates at a higher frequency, so to speak.

Does anyone know how early this terminology originated? Was it just copied from science? (The wave theory of light predates Spititualism, and Maxwell united light, electricity and magnetism in the 1870s.)

But many mediums give the impression of not being well-educated, so did this talk of vibrations really come from 'the other side'?

I ask because I'm currently reading a book on string theory, which postulates that all particles and forces are just different forms of vibration of sub-atomic sized 'strings'. The theory is still not fully worked out or universally accepted, but it seems to me that it is flexible enough to account for all manner of weirdness. (Quantumphysics is pretty weird in any case!)
 
Colin Wilson's "Mysteries" has a lot of stuff on Tom Lethbridge and his experiments with pendulums - he had a lot of theories regarding vibrations at different frequencies, and how different substances resonate harmonically at various levels - again, with a little application this can explain a lot, eg dowsing, psychic sensitivity, homing instincts, ghosts, leys....

Worth a look, certainly.

PS Lethbridge did his stuff in the first half of the twentieth century: can't be more precise than that cos I can't FIND THE BLEEDIN' BOOK! Isn't that always the way!!
 
Tom Lethbridge, died in 1971.

His book:- "The Power of the Pendulum" didn't get published until 1976 in the USA & 1984 in the UK.

His wife in her intro to the book talks of "various rebuffs from others at my original attempt (to get the book published)".

I checked Amazon & they no longer have any copies, looks as if it's recently gone out of print & they were still flogging copies of the 1984 (they say 1983) edition. So it looks as if it was a slooow seller!!!!!

They also show several other books by Lethbridge as having "limited availability", which seams to mean that they have none in stock.

Oh! And The Power of the Pendulum, has an intro from Collin Wilson.
 
Lilith: You might be interested in this:

Talking to the Dead : Kate and Maggie Fox and the Rise of Spiritualism
by Barbara Weisberg

Hardcover: 336 pages
Publisher: Harper SanFrancisco; (April 13, 2004)
ISBN: 0060566671

Amazon.co.uk Review

Is it really possible to talk to the dead? This question still generates passionate opinions from believers and sceptics alike and is explored in Talking to the Dead: Kate and Maggie Fox and the Rise of Spiritualism. One can only imagine the stir that the Fox sisters created in 1848 when they claimed to hear a ghost rapping on the wall of their Hydesville, New York home. The sisters soon discovered that the ghost would tap answers to specific questions. Within days neighbours and travellers were showing up at the house wanting to converse with the "spirit". The Fox sisters went onto become a national phenomenon, holding séances and making their livings as celebrity mediums. They were also the leaders of a new movement called the spiritualists. New York-based filmmaker Barbara Weisberg assembled this fascinating and expertly recounted biography.

Beyond trying to prove whether the Fox girls were legitimate, Weisberg wrote a study of how two young girls could shape a new spiritual movement in mid-1800s America. "The more I thought about the Fox sisters, the more it seemed to me not only that Kate and Maggie sparked a movement, but that their lives epitomised the conflicts and urges that helped fuel its blaze. The question of the other world aside, the girls' appeal surely stemmed in part from the ways they embodied--and intuited--their culture's anxieties and ambitions." Ironically, in not trying to prove whether these two were frauds, Weisberg has created a more satisfying human story within a rich historical context, not unlike the tactics used for the bestseller Seabiscuit. And likewise, this could and should easily translate into a dynamite major motion picture. --Gail Hudson, Amazon.com

http://www.amazon.com/exec/obidos/ASIN/0060566671/
http://www.amazon.co.uk/exec/obidos/ASIN/0060566671/

Emps
 
A review:

Knocking on the doors of the world of the dead

Sunday, June 06, 2004
Donna Marchetti
Special to The Plain Dealer

In the mid-1800s, it seemed that western New York was ready for anything that challenged the status quo: abolition, women's rights, utopianism and other social and political innovations.

It might not be surprising then that this area gave rise to spiritualism, or the belief that it is possible for the living to communicate with the dead.

Barbara Weisberg's well-researched "Talking to the Dead" follows the lives of Maggie and Kate Fox, the two young women responsible for the genesis of spiritualism. It also provides an insightful look at the social climate of the 19th century.

Spiritualism, a term later coined by journalist and political leader Horace Greeley, began in 1848 in Hydesville, a small farming community in western New York. The Fox family reported hearing mysterious raps and knocks in their home nearly every evening.

The sounds, they determined, were made by the spirit of a man who had been murdered in the house and buried in the cellar. Eleven-year-old Kate and 14-year-old Maggie seemed to have a special ability to communicate with the spirit, which responded to questions by knocking in a kind of code set forth by the girls.

Over the following four decades, Maggie, Kate and to some extent their older sister Leah spread the concept of spiritualism around the globe, traveling and conducting seances in which they called up the spirits of the dead.

The movement was phenomenally successful, perhaps because it offered solace to the bereaved.

Spiritualism was not without controversy. Some claimed it was the work of the devil or simply well-disguised trickery. A century after their deaths, the Fox sisters' claims of spirit communication still have not been proved or disproved, and Weisberg does not attempt to do it here.

She admits to a certain fondness for the women - "I enjoy the mediums too much to be critical of them" - despite the possibility that they might have duped thousands of gullible people.

On the other hand, there's the possibility that they weren't lying. In 1904, a group of children in Hydesville discovered a skeleton in the cellar of the house where the Foxes had lived. A doctor determined that the corpse was about 50 years old.

The mystery might never be solved. But it makes for fascinating reading.

http://www.cleveland.com/entertainm....ssf?/base/entertainment/1086427804195461.xml
 
Now for something slightly different...
Without parallel: Georgiana Houghton's Spirit Drawings
Louisa Buck
2 September 2016 • 4:19pm

Sunday night television may be giving us a new view of a sparky young Queen Victoria, but right now there’s an even more radical rendition of her eldest daughter to be seen at the Courtauld Galleries, courtesy of the 19th-century spiritualist painter Georgiana Houghton. Not that you’d recognise her. The Flower of Victoria, Princess Royal of England (1863) takes the form of elaborately overlapping skeins, spirals and looped lines of translucent watercolour in crimson, green, and gold, with the occasional passage of violet overlaid by delicate veils of white dots. There’s no perspective, beginning or end – and certainly no likeness. According to the detailed notes on its back, this “spirit flower” of the princess began growing in the spirit realm at her birth and symbolises her character. Miss Houghton also apparently made one of her “spirit drawings” of the Queen herself.

Painted in 1863, this small, intense painting resembles nothing being made in Western art history at the time. It is just one of an astonishing series of several hundred vividly coloured works on paper created by this now long forgotten artist, who was producing her visionary non-figurative art a good 50 years before Wassily Kandinsky and the other early 20th century pioneers of abstraction. She also predates her fellow Spiritualist and groundbreaking abstractionist, the Swedish Hilma af Klint, whose otherworldly artistic forays were recently shown at the Serpentine Gallery.

However, according to Georgiana Houghton, these works were not by her hand but “guided” by the spirits of the dead working through her. And what spirits. Among the works at the Courtauld, The Eye of the Lord, in which numerous crimson discs emerge from a dense thicket of intricately tangled lines was, according to its detailed verso notes, made with the assistance of Titian. Meanwhile, in The Eye of God, a dramatic peacock feather form rearing up out of waves of lilac, gold and more crimson, the Renaissance artist Correggio was apparently Miss Houghton’s spirit guide. Other art-historical helpers included the painter Thomas Lawrence as well as numerous family members – and even that most artistic apostle, St Luke.

Etc...

http://www.telegraph.co.uk/luxury/a...pirit-drawings-at-the-courtauld-gallery-revi/

Until September 11. The Courtauld Gallery, Somerset House, Strand, London, WC2R 0RN
courtauld.ac.uk


 
"The exhibition lasted four months and was largely lampooned by critics who decried them as “painful absurdities”, “strange hallucinations” and “symbolism gone mad” – although the Era Newspaper did concede that it was “the most astonishing exhibition in London at the present moment”.

Blake's 1809 Exhibition was received in much the same way.

Such radical departures from the artistic conventions of the days seem yet to have needed the "sponsorship" of such Old Masters as Correggio, Lawrence and Saint Luke! Blake used to browbeat his detractors with the shades of Michelangelo and the designers of the Temple of Jerusalem.

Mention of Hilma of Klint, however, brought to mind the much earlier abstract works of Hildegard von Bingen, 1098 - 1179

Somewhere between Houghton and Kandinsky, we get the Thoughtforms, 1901, of Besant and Leadbeater

Their Occult Chemistry of 1908 may also belong in this category. :)
 
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