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William Blake

JamesWhitehead

Piffle Prospector
Joined
Aug 2, 2001
Messages
14,209
I don't think we have had a thread devoted to England's greatest
creative genius. He is difficult but endlessly rewarding. His religious
affiliations have been much discussed but there has been a breakthrough
with regard to the esoteric religious background of his mother. She was
long thought to have been a Londoner and Blake has often been treated
as a quintessential Cockney. Now we know a little about his roots in the
Midlands!

http://books.guardian.co.uk/departments/classics/story/0,6000,1160555,00.html



Connection revealed between erotic writers and artists

Martin Wainwright
Wednesday March 3, 2004
The Guardian


William Blake ... his family's 'wanton practices' pre-dated Lady Chatterley's Lover by 200 years
_Britain's first "literary erogenous zone" is about to bring a new type of tourist to a quiet corner of the east Midlands, thanks to a £110,000 project to research the background of the artist and poet William Blake.
Academics in Nottingham have traced the mother of the great visionary, whose work is shot through with erotic imagery, to a village close to the birthplace of that other sexually pioneering writer, DH Lawrence.
The two-year programme is expected to uncover the full and previously unsuspected Midlands background of Blake, including his family's involvement with radical sectarians whose "wanton practices" pre-dated Lady Chatterley's Lover by 200 years.
The team at Nottingham Trent University traced the birthplace of Blake's mother Catherine - long a mysterious figure - to the village of Walkeringham, north of Retford, where an 18th-century branch of the Moravian Brethren took vigorous root.
The group's beliefs, including reverence for women's genitals as "a model of the chapel of God where husbands must worship daily", are expected to shed new light on the origins of Blake's own sexual enthusiasm.
Blake praised "happy copulation" and was famously discovered by a neighbour nude in his London garden, acting out with his wife the return of Adam into paradise.
"Blake's family background has been the subject of much speculation and rumour," said Professor David Worrall of Nottingham Trent, a Blake specialist who will lead the project.
"He was even claimed for Ireland by Yeats, but there's no evidence of that. It now turns out that his roots were in this little Nottinghamshire village. In a sense, we are bringing him back to his proper home."
The study, funded by the government's Arts and Humanities Research Board, will scour record offices in Nottinghamshire, Lincolnshire and Yorkshire for further details of Catherine Wright - as Blake's mother was known before her marriage to Blake's father.
Walkeringham, which had a population of 419 at the first national census in 1801 (it is now 849), has a Wright Avenue.
Moravian archives in London and Leeds are expected to fill in other gaps.
Catherine was assumed to have been a Londoner, until research in Moravian records by Dr Keri Davies, another member of the Nottingham Trent team, led to the Midlands link.
She is thought to have been an important influence on her talented son, teaching him until he was apprenticed to an engraver at the age of 13.
Her own education was helped by the Moravians, who required would-be converts to submit a home-composed hymn with the application to join. Catherine's has been recovered by the Nottingham Trent researchers, along with details of her first husband, who also belonged to the sect.
"She's likely to have influenced the way Blake spoke," Prof Worrall said. "I'd assumed all my working life that he talked like a Cockney, but now we can begin to think of him as a man who may have had the remnants of a Nottinghamshire accent."
The county, currently engaged in a battle with Yorkshire about which was Robin Hood's birthplace, has not yet thought in detail about promoting the discovery.
But tours could easily link Walkeringham with Lawrence's birthplace, Eastwood, via beauty spots such as Old Teversal, the reputed inspiration for the Chatterley estate.
Blake's most popular creation, Jerusalem, continues to be heard, among other places, at the Women's Institute, whose Calendar Girls are very much in the spirit which Catherine appears to have passed on to her son.
 
And surely a Fortean...

To see a World in a Grain of Sand
And a Heaven in a Wild Flower,
Hold Infinity in the palm of your hand
And Eternity in an hour.
 
I love Blake.

It always got me how they used to sing the preface to Milton at school without any idea of what it was about.
 
one of my favs is Blake..he was a visonary and had hight hopes for America, he wasnt without humour either... i like the story of him drawing an angel one day and he stoped..when asked why, he replied that St Peter had walked in from of the subject..
 
Conners_76 said:
I'm going to ask a stupid question: does the painting (or whatever it is) that's supposed to be by Blake in Red Dragon actually exist? Is it based on a real work?
He certainly did paint, so I suppose it's entirely possible (one of his most famous is Nebuchadnezzar) - haven't seen Red Dragon yet so dunno :).

There are more of his works online here.

And yes, he was a proto-Fortean par-excellence (and one of my fave poets at that :)).
 
Conners_76 said:
The Great Red Dragon and the Woman Clothed in Sun

This painting is on the back cover of the book "The Apocalypse and the Shape of Things to Come", which I'd highly recommend- it's a collection of apocalyptic art, and includes quite a few of Blake's paintings.

It's published by the British Museum, and they were selling it off very cheaply not long ago.
 
and was famously discovered by a neighbour nude in his London garden, acting out with his wife the return of Adam into paradise.

Aww! What a mental image!!

I love Blake too!
 
Blake is often referrred to as a Visionary and in his case, it was never more appropriate. Many of the angels and mythical creatures that he drew and painted he actually "saw" in front of him. They were very real to him. Acccording to one theory he was able to produce eidetic imagery. That is, imagine something so vivid that it appears as real as could be actually in front of you. Almost a kind of self induced hallucination sometimes referred to as "photographic memory" so he was trying to transcribe something very real to him.Though they aren't perfect anatomical figures as would be observed in the life room.

http://serendip.brynmawr.edu/bb/neuro/neuro00/web2/Arnaudo.html
 
good example of that is his portrait of thhe 'Ghost of a Flea'

only other artist I think comes close to that genuine otherness is Austin O Spare (who deserves a thread to himself).
 
Blake's notebook goes on display

Poet William Blake's notebook, in which he drafted such classics as London and The Tyger, has gone on display at the British Library in London.

A digital version of the book, full of sketches and dense passages of poetry, has also been made available online.

The exhibition, marking the 250th anniversary of Blake's birth, also contains modern works he inspired.

Among them is Philip Pullman's The Amber Spyglass, whose main character Lyra gets her name from a Blake poem

Pullman has loaned the Library a portion of his manuscript for the exhibition and has recorded a reading of both his work and the poem that inspired it.

US rock star Patti Smith is also taking part in the retrospective by donating the manuscript of her song My Blakean Year.

Blake's illustrated manuscripts were largely disregarded in his lifetime
Born in London in 1757, Blake is regarded as one of the greatest contributors to English literature and art.

He wrote the words to the popular hymn Jerusalem and produced illustrated versions of Milton's Paradise Lost and Dante's Divine Comedy.

In 2003, 19 watercolours painted by Blake - and believed to have been lost - sold for £5m at auction.

A British Library statement said: "The achievements of William Blake were largely unrecognised in his own lifetime, but his creative legacy lives on.

"This exhibition showcases Blake's astonishing creativity and his contribution to the work of contemporary artists and writers 250 years later."

William Blake: Under The Influence opened at the British Library on Thursday and runs until March.

http://news.bbc.co.uk/1/hi/entertainment/6252637.stm
 
William Blake's Jerusalem cottage to cost £500,000

Campaigners have one month to buy the cottage where William Blake wrote his most famous poem, Jerusalem.
The Blake Society said it had until 31 October to raise £500,000 to buy the cottage in Felpham, West Sussex.
The cottage, where Blake lived between 1800 and 1803, has been privately owned by one family since 1928.

Francis Oppler, who is a Bognor Regis town councillor, said: "This would allow us to get on the cultural heritage and tourism map."
The words of Jerusalem were put to music by Herbert Parry in 1916 and are sometimes sung as an unofficial English national anthem.

The Blake Society said the poet came from a dissenting tradition, which opposed state involvement in religious affairs. During his time at the cottage he was arrested and tried for sedition, after "rebuking a soldier".
The group said, if purchased, the cottage would be put into a charitable trust to be held for the "benefit of the nation".
It is hoped it would become a public place where writers, artists and poets could create new work.

Visitors would be able to view the property and it could also be used as a "house of refuge" for persecuted writers from around the world, the group said.
If the society does not raise the amount of money needed, it is expected the cottage will go back on the open market.

http://www.bbc.co.uk/news/uk-england-sussex-29408644

Felpham is on the coast, just east of Bognor Regis. (Just a suburb of Bognor, nowadays.)
Photo of cottage, and a link to a slideshow of Blake's paintings on page.

This story has surprised me - I spent my teenage years in Bognor (and sometimes sailed off Felpham), but I don't think I ever heard Blake's cottage mentioned in that time, or since!


And did those feet in ancient time
Walk upon England's mountains green:
And was the holy Lamb of God,
On England's pleasant pastures seen!


We have a thread on Jesus in England:
http://www.forteantimes.com/forum/viewt ... 150#381150
Blake would have approved!
 
William Blake: Biography offers glimpse into artist and poet's visionary mind

By Paul Glynn
Entertainment & arts reporter


BBC News
26 June, 2021

One day in 1801, when William Blake was living on the Sussex coast, he went on a long country walk when he got into an argument with a thistle.

The artist, poet and musician, who experienced beatific visions throughout his 69 years on Earth, wasn't wandering lonely as a cloud, like some of his Romantic peers.

On this occasion, the prickly plant he encountered also took the form of a hectoring old man. For all Blake could see, the two were inseparable.

The London shopkeeper's son (who didn't go to school) would also regularly see God, angels and demons, and often spoke with the spirit of his dead brother Robert. His wife Catherine once commented: "I see very little of my husband, he's always in paradise."

These divine and mind-bending experiences informed Blake's world view and inspired his deeply philosophical illustrated texts like Jerusalem and Milton.

As a result, though, he was deemed mad by much of 18th and 19th Century England, and died penniless and largely unheralded.

Nowadays, he is widely considered one of UK's most influential and respected artists and poets. And in a new biography, William Blake vs the World, author John Higgs argues we are now far better placed to understand what was going on inside his head.

'Mythological system'


"Blakeans have been touchy about the subject historically," Higgs tells the BBC. "There was the one exhibition he gave in his lifetime and it sold no paintings, and it got one review which referred to him as 'an unfortunate lunatic'. And so this accusation of madness followed him around in his day.

"Van Gogh scholars are quite happy to admit he had mental health issues, and that adds to their understanding of him. [But] Blake scholars have been traditionally keen to insist that he was not mad, that there is reason and logic and worth in this system that he created - this mythological system."

(...)

https://www.bbc.co.uk/news/entertainment-arts-57419544
 
Further quoting the BBC article:

Slip inside the eye of your mind

The key to achieving timeless bliss, he believed, was to re-balance the imagination (or The Four Zoas) so the left-brain - the part that deals with logic, reason and language - was less dominant, unlocking the potential of the right side, which deals with creativity, emotions and physical pleasure.

The polymath underlined the importance of viewing things through one's mind's eye, rather than merely through the organs on either side of your nose. In his book, Higgs cites the work of neuroscientist Dr Adam Zeman, who has studied the imagination for decades. He first described in 2015 the condition of aphantasia, where some people were found to be unable to visualise mental images. In other words, they had no mind's eye.

At the opposite end of the spectrum, those with extremely vivid imaginations were said to have hyperphantasia.

Dr Zeman, who released his latest research findings last month - with the help of his colleagues at the University of Exeter and around 70 volunteers willing to have their brain activity scanned - agrees with Higgs that rather than meaning he was unhinged, Blake's visions strongly suggest hyperphantasia.
(End)

Anyone else find this quite fascinating?

Aphantasia, I am now aware of and posted an insightful video re same:

Post in thread 'Aphantasia (Lack Of Mental Imagery; 'Mind Blindness')'
https://forums.forteana.org/index.p...tal-imagery-mind-blindness.63421/post-2024198

The apparent antithesis, hyperphantasia, is a revelation to myself and would certainly seem apposite.

I have long regarded William Blake as marvelously enigmatic. :)

Screenshot_20210627-063916.jpg
 
And did those feet in ancient time
Walk upon England's mountains green:
And was the holy Lamb of God,
On England's pleasant pastures seen!

Nice tune From Brain Salad Surgery!
 
‘Like a film in my mind’: hyperphantasia and the quest to understand vivid imaginations

Research that aims to explain why some people experience intense visual imagery could lead to a better understanding of creativity and some mental disorders

'Some people with hyperphantasia are able to merge their mental imagery with their view of the world around them. Reeder asked participants to hold out a hand and then imagine an apple sitting in their palm. Most people feel that the scene in front of their eyes is distinct from that inside their heads. “But a lot of people with hyperphantasia – about 75% – can actually see an apple in the hand in front of them. And they can even feel its weight.”'


https://www.theguardian.com/science...nd-the-quest-to-understand-vivid-imaginations
 
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