WhistlingJack said:
Today's Times has a DVD of The Snows of Kilimanjaro, starring Gregory Peck and Ava Gardner.
Worth a look if looking for footnotes to Hitchcock, though you can pick it up for a quid and I've not heard of any restored version. The Waterfall DVD is washed-out and rough. The BBC have a sharper print with better colour but it's not a fillum I watch often. I wrote the following piece for the Hitchcock DVD Board so I might as well paste it in here:
A man, as it were, suspended between life and death, loses the love of his life. On the streets of the city, he sees her everywhere, rushing after women with some resemblance. He thinks he sees her again in the figure of a woman who is entering a car . . .
Later, this other woman becomes his lover but she complains of not being loved for herself, only for her resemblance to a dead woman.
This drama is played out at considerable length to the accompaniment of a lush romantic score by Bernard Herrmann.
Only it isn't Vertigo, which lies some six years in the future. The man is not played by Jimmy Stewart but by Gregory Peck and the women are Ava Gardner and Susan Hayward. The city isn't San Francisco but Paris and the traumatised man isn't a cop but a writer and big-game hunter, lying near to death on The Snows of Kilimanjaro.
The presence of Leo G. Carroll in the cast creates more diverse Hitchcockian echoes. His name may not immediately mean much but the patrician or avuncular manner made him a favourite character actor for Hitch - he appeared in Spellbound, Rebecca, Strangers on a Train, Suspicion, North by North West and - with Peck - in The Paradine Case. After North by North West, he appears to have become something of a fixture on US television. Did anyone else appear in so many Hitchcock films, apart from Hitch himself? The product of a wealthy English Catholic family, he was named after Pope Leo XIII.
For all its once greatly-admired second-unit cinematography, The Snows of Kilimanjaro has faded in every sense. It has slipped into the Public Domain and can be picked up on DVD for a pound in the UK. Its pre-echoes of Vertigo might not be so noticable but for the Herrmann connection. The score is very similar to that he was to produce for Vertigo - high divided strings for the lingering love-theme, a motif he had swiped from the first act of Die Walküre, where it delineates the forbidden love of a brother and sister.
That love theme has another close relation born within a year. Another epic remembered, if at all, for its spectacular second-unit work. This time we go Beneath the Twelve Mile Reef to show off Cinemascope and stereophonic sound. Herrmann scored the underwater scenes for nine harps and his familiar love-motif accompanies a soggy Romeo & Juliet tale of rival sponge fisherfolk. The young lovers meet in an edenic orchard and the tendrils of the theme wind around them. Another one that has found its way into the bargain bins - surprisingly, some PD prints maintain the original aspect ratio and stereo sound.
Now the music from Beneath the Twelve Mile Reef was a property which 20th Century-Fox appreciated - it was added to their music library and excerpted for other productions over a long period. It is not surprising that even so creative a composer as Herrmann should have borrowed extensively from himself in scoring love music. Even so, Vertigo seems to be one of those iconic productions which creates its own precursors and sheds its light retrospectively on some films which are less often taken down from the shelf. Once sucked into the vortex, the viewer is doomed to be cruising the streets of cinema, forever seeing some resemblance to Vertigo in the frowsy old faces he surveys.
A glance at the credits for Mr Herrmann on IMDB throws up some curious facts about his posthumous career. We thought we knew his last film was Taxi Driver but his music was used with and without permission in many subsequent productions. A lot of the credits on the IMDB are for understandable purposes such as Making of documentaries. However I was startled to discover that the watery associations of Vertigo were revisited in a manner of speaking when parts of the score were filched for a little movie called Water Power. This horrid item is otherwise known as The Enema Bandit! And no, I haven't seen it! :shock: