Prior to the establishment of archaeoacoustics as a formal area of study, the possibility of unintentionally recorded sound contained in ancient artifacts held great interest for some theorists.
Phonograph cylinders store sound as engravings in the surface of the cylinder, which can be played back by a
phonograph with the proper settings. It was hypothesized that this process could have been accidentally replicated during the creation of a ceramic pot or vase, and that such artifacts could be
sonified to recover the sounds contained within the elastic medium.