My copy was delivered yesterday.
Considering how much heat the '
Hoax', Pt3, article seemed to have generated, I've spent tonight reading all three parts of the article. I haven't read the notes.
There are a few terms, that I either had to check, or look up, to make sure I knew what they meant. Mostly, they are reasonably well explained in the articles.
Ostension. Pretty well explained, contextually, in Pt2. The idea that something, experienced, or imagined, can be demonstrated experientially, by some sort of enactment.
Veridical: Something which is, possibly, truthful, yet maybe unknowable in a real physical sense.
Liminal: A sort of boundary, or threshold, of
misciblity, between two different Worlds, between what is accepted and what is either unacceptable, or unknown.
That sort of language. I must admit, I was expecting something a bit more impenetrable. The term,
Deconstruction, does turn up, once, in the text, and for a moment we do indeed hang over the precipice of the Post-Modernist hoax. However, with a bit of close reading, the text does hang together and enough clues are given, within the text, to convey the authors' meaning.
I agree that the first two parts do not quite convey enough information to justify all of the concluding third part of the article, the segues between deception, art and ritual seem a little rough and abrupt. I have to agree, a leisurely five parter, rather than a slightly compressed three parter. However, a tantalising glimpse of what might lie behind a great deal of what truly makes Fortean phenomena interesting.
I have to say, that the conclusion seems to leave out the possibility that something of the hoaxer, the trickster, or the artist's endeavour to make the impossible, or the unlikely, real, may also be an attempt to portray that which is, as yet, unimaginable, as feasible and also, of course, that which is inevitable, yet almost unimaginable, encompassible, if not comprehensible. Isn't that why they so often strive to instil a sense of wonder?
If there was no room for an article like this in the Fortean Times, then the FT would be thin gruel, indeed.
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I can't say that I was impressed by the colourful pictures of human misery and misfortune, in the double page spread of impalings.
Bizarre, indeed.