Ronnie Jersey
Justified & Ancient
- Joined
- Nov 22, 2021
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Isn't that silly, changing a house number from '112' to '108' is going to make any difference whatsoever?So ... changing the number to 'deter tourists' worked well then?
Isn't that silly, changing a house number from '112' to '108' is going to make any difference whatsoever?So ... changing the number to 'deter tourists' worked well then?
What happened to the previous 108?Isn't that silly, changing a house number from '112' to '108' is going to make any difference whatsoever?
No one knows! LOLWhat happened to the previous 108?
There's around 8 or so available street numbers per lot. So house numbers never went 110, 112, 114... It was more like 104, 112, 118.What happened to the previous 108?
I've just started watching Hellier (very late to the party), I'm really enjoying it so far!Just to add, Greg and Dana are the couple behind the 'Hellier' web tv series about their hunt for the Kentucky goblins:
https://www.hellier.tv
I have a real soft spot for this show, it is quirky and at times disjointed but also atmospheric and fascinating
AMITYVILLE: AN ORIGIN STORY tells the story behind the world’s most infamous haunted house tale: the Amityville murders. The project is the first elevated look at every aspect of this wildly layered story about the heinous murder of a family of six that became eclipsed by paranormal controversy.
The 1979 blockbuster film, The Amityville Horror, inspired by the book of the same title by Jay Anson spawned an ever-expanding universe of movies, books, supernatural theories, and horror superfans. But the mass murder behind the hauntings—and its alleged ties to organized crime—left a long trail of questions that have never been fully explored.
Rooted in the dark cultural undercurrents of the 1970s, the series features firsthand accounts from witnesses, family members, and former investigators appearing on-camera for the first time. Exclusive archival footage, newly unearthed images, and stunning original photography are woven together into the most compelling and comprehensive telling of the Amityville story yet, taking viewers on a heart-pounding roller coaster ride through the mythology, factual record, and devastating human toll of this notorious meta-narrative.
And for some reason Google maps labels the house 110. Probably to deter tourists. Not that the big blur on street views doesn't call attention to it.The actual numbers on Ocean Avenue run 106, 108 (112) & 120...
From one of the comments at the bottom:Photos from outside and inside the house from 2010 when it was sold:
https://www.historyvshollywood.com/reelfaces/real-amityville-horror-house.php
I suspect the eye windows were reduced to scrap when they were removed, but considering the various remodeling I've seen done on the long-standing program This Old House, they could likely be restored fairly easily.
However, I found this at a wiki-edq fan site for the series Warehouse 13 - is this from an episode of the series? If not, it might indicate from the photo that somebody does own those windows!
https://warehouse-13-artifact-database.fandom.com/wiki/Amityville_House_Windows
Considering that none of the recent owners wanted the publicity, I doubt the value to collectors mattered. I'm sure they were thrown away.I know that someone removed the iconic 'eyes' windows from the front of the house a long time ago but I wonder what happened to those window frames?. I hope they didn't just get thrown away. They'd be worth a fortune to collectors.
Never heard of channel MGM+, will have to wait till it comes on regular cable.First teaser trailer:
The idea that demons might be responsible for both men's experiences is left open
Episode 3 of the new documentary touches on the movies around and being hyped, specifically The Exorcist, The Omen and Rosemary's Baby.Amityville came from a heritage of ‘experience’ movies. We’d had big ticket sensurround movies like Earthquake and Jaws and Close Encounters. I cannot stress how highly these movies were publicised in not just the normal media but also in specialist magazines long faded into obscurity. Reports came from St.John’s Ambulance attending screenings of The Exorcist ( I needed one to stop me laughing but that’s another story). From what I remember from seeing it at the cinema, it was a solid 3.5/10 but media was totally revelling in the murder aspect.
Not to this extent. He always said the story was real, but this was his first time on camera actually giving details.I should look this up but I think Christopher has commented on this before.
I was a St. John's Ambulance cadet at the time. We were asked for volunteers (over 18 years old natch' ) to attend the first screening in our area. The Brigade are happy to oblige when requested at public events - for a fee of course. All good publicity - none of us were convinced that there was a need.Amityville came from a heritage of ‘experience’ movies. We’d had big ticket sensurround movies like Earthquake and Jaws and Close Encounters. I cannot stress how highly these movies were publicised in not just the normal media but also in specialist magazines long faded into obscurity. Reports came from St.John’s Ambulance attending screenings of The Exorcist ( I needed one to stop me laughing but that’s another story). From what I remember from seeing it at the cinema, it was a solid 3.5/10 but media was totally revelling in the murder aspect.