'Snuff' - UL or Prophecy?
Up until recently, I would have written the whole 'Snuff' controversy off as last years news - exposed as a hoax as it was, and there being technical and financial reasons why life was unlikely to imitate art in this case. In fact, I'd have said the only point of interest in the 'Snuff' UL was that it gave rise to Cronenberg's master work 'Videodrome'.
However, I recently subscribed to a service called 'Morpheus', which, for those of you who don't know it, is a kind of super-son-of-Napster. It doesn't just swap MP3's but all sorts of files. One option is to look at a list of files another user has made available. When I did this with people who'd got music I was interested in, to see if they'd got stuff that looked interesting, I was staggered not just by the volume of porn, but by the deeply disturbed and violent nature of it. OK, I didn't look at the images, but the titles were pretty upfront, involving various kinds of sexual assault.
I know that some of you will think I'm naive, I knew that the Net was full of porn, but I hadn't really grasped how full, or that we weren't dealing with consenting adults erotica. I don't come into contact with porn anywhere else in my life, so perhaps I'm overeacting, but I don't think so. My point is that if that's what's close to the surface, what the hell is in the dark depths? I could easily believe that real 'snuff' films are out there.
As for whether something has to be commercial to qualify, isn't it more that it has to be made available to an audience, and that there has to be an audience which demands it. I understand why serial killers home movies don't count, but I think today's tech makes porn so easy to create that its no longer just made by those with money, or simply to make money.