mugwumpaddict said:Yes the point i was making was the hypocrisy on display but the shock and outrage was genuine.I assume you are only affecting a pose of fake shock and outrage in order to make the point that I am, if not a hypocrite, at least full of contradictions
Sorry if you found the post too serious but seriously whatever this film is billed as i found it to be one of the most disturbing pieces of cinema i have ever seen.
BTW i don't have an aversion to french or subtitles just to the attitude that because something is foreign and subtitled doesn't make it more intellectual or worthy than anything else.
The film was meant to be both funny and shocking. I'm very sorry you can't seem to get the funny part. That could be because the film viciously savages things you love too dearly. It makes fun of "movie violence", after all. Accept it.
As I am myself from Quebec and was raised in a totally Francocentric culture striving to survive in an ocean of Anglo-Saxon predominance, I think you will understand that what sounds "foreign" and alien to you does not sound that way to me at all.
The fact the film gained such prominence in France is all the more surprising as Belgium (much like Quebec) always was and still is considered to be a very retarded backwater in that country, a place from which no "intellectual" statement, filmic or otherwise, is ever expected. Benoît Poelvoorde managed to make his point and win over accolades with the sheer strength of his comedic genius.
Since I, who physically hate violence, blood and gore, also grew up surrounded by this hellish, goulish film culture of increasingly graphic violence that we're talking about here, I also find this film quite congenial to my view of the state of movie-making today. That's why I love it. I believe the point the film makes was and still is not only refreshing but the last word on the whole question of "movie violence". It gives me hope for the future.