I'm reading this nice book. It's rather postmodernist and the theories are not very strong but it has several good observations. This is one:
A national call went out to retired Goddard and WNRC employees, asking for any clues about what might have happened to the tapes. Although NASA and many archivists continue searching for clues as to what happened, it seems that the missing footage was not archived as carefully as it should have been. Shipped off to a government warehouse, they may have been marked incorrectly or mismanaged through sloppy record-keeping. While NASA officially remains hopeful that the data will eventually be found, the Apollo 11 tapes remain missing.
For many of us, the story of the missing Apollo 11 tapes is a lesson on the importance of proper archival and records management. Like so many other artifacts that get lost through mismanagement, the high-quality moon landing footage is a loss for the nation’s historical reservation.
But, for others, the missing footage tells another story about archives. Bart Sibrel is one of those who consider the Apollo 11 tapes’ “missing” status as abundantly content-full. Sibrel has long been an outspoken conspiracy theorist who believes the moon landing was a hoax. Although Sibrel is far from a familiar figure, he gained notoriety as the man who got punched by none other than Buzz Aldrin. In 2002, Aldrin was leaving a Los Angeles hotel when Sibrel cornered him and demanded that the astronaut “swear on a Bible” that he had actually landed on the moon. After Sibrel repeatedly taunted Aldrin, the astronaut decided he had had enough and punched Sibrel squarely on the jaw. Video of the incident has repeatedly been circulated (and celebrated) online in the years since.
Sibrel’s 2001 documentary, A Funny Thing Happened on the Way to the Moon, claims that the original Apollo 11 tapes were deliberately destroyed because the footage would show, in high resolution, the Hollywood production of the “moon landing” as it was actually staged in some terrestrial movie set. Other moon hoax believers have also joined in. For example, Aron Ranen’s 2005 documentary, Did We Go?, similarly argues that the moon landing was a hoax. In a TV interview with Glenn Beck, Ranen exclaimed, “Glenn, to me it’s incredible that we can keep track of Egyptian pots from 2,000 years ago, but we lose tapes made only forty years ago?” Like Sibrel, Ranen clearly does not buy NASA’s story.
The missing Apollo 11 tapes are what we might call empty archives. They are archives that (possibly) exist, but the content is unavailable, missing, unobtainable. For people like Sibrel and Ranen, the missing content does not equate to missing meaning. On the contrary, the missing content is bursting with significance. This paradox drives my curiosity about the object of reference in moments when evidence is cited while simultaneously absent.
How does evidence work when it is simply not there? If archives of evidence are either not available or are simply nonexistent, how is it that they still function as part of a claim? In particular instances where empty archives are cited, what is the referent of those claims? In this chapter, I examine archives whose contents are missing, absent, or false. Specifically, I discuss several cases of archival hoaxes, forgeries, and what we might simply call empty archives. Although the cases I discuss are vastly different, what they have in common is that the archive in each of these instances is either not real or else they are not available. Nevertheless, the fictional or missing archives continue to serve as reference for very serious claims.
AWFUL ARCHIVES
CONSPIRACY THEORY, RHETORIC, AND ACTS OF EVIDENCE
JENNY RICE
https://www.goodreads.com/book/show...arch=true&from_srp=true&qid=JNCnCYRNzG&rank=1