maximus otter
Recovering policeman
- Joined
- Aug 9, 2001
- Messages
- 13,985
I'm looking forward to Count Magnus, one of my favourite James stories.
Ooh! When’s that on?
maximus otter
I'm looking forward to Count Magnus, one of my favourite James stories.
23rd December, BBC 2, 10pmOoh! When’s that on?
maximus otter
I kissed Richard Coles once. He's probably still trying to forget...* Mark Gatiss and Richard Coles are on a ghost hunt - BBC Radio 4 @ 10:15pm
Was that when he was a pop star?I kissed Richard Coles once. He's probably still trying to forget...
I heard he was rampantly heterosexual before that..I kissed Richard Coles once. He's probably still trying to forget...
Well, he did say 'Oh, God...' afterwards.Indeed. I think it was after that encounter that he also turned to religion.
No, oddly enough he was already a vicar...Was that when he was a pop star?
Much as I love Monty James, I prefer a Gatiss-free Christmas. Count Smugness.I'm looking forward to Count Magnus, one of my favourite James stories.
I know what you mean about him. But I manage to separate his personality from his work. He is known to be such a fan of James, and other horror stories, that he treats them well.Much as I love Monty James, I prefer a Gatiss-free Christmas. Count Smugness.
I know what you mean about him. But I manage to separate his personality from his work. He is known to be such a fan of James, and other horror stories, that he treats them well.
I agree with this, and was only discussing his work with a friend a few days ago. I watched the BBC Mezzotint the other night, and the radio story with Simon Callow, both by Gatiss, iirc? I can't quite get along with his interpretations of the James/xmas ghost stories. There's always something of an 'anti-climax' to them, a rushed conclusion, almost comic book..He can be a good actor. I saw him on stage in All About My Mother and he handled a tricky drag-queen role with sensitivity. Agreed, in general one should separate the artist 's personality from their work but there's a degree of self-satisfaction in his writing that mars it ultimately. He has Van Gogh's ear for dialogue, and often botches opportunities for real drama and atmosphere in favour of "See what I did there?". Yes, he's a knowledgeable and devoted fan of Conan Doyle, James, Kneale, etc. and I think that's part of the problem. For him, such material is a mirror, and passion plus unbridled ego isn't always an aid to creativity. There seems to be a notion kicking around that he's a natural successor to these people - the curator, flame-keeper, go-to talking head - when as a person or an artist he's not in their league, nowhere near.
Anyone know what’s going on with these promised ghost stories on BBC sounds? I can find the trailer but not the stories it relates to. I just get an error message when I go to more episodes.
https://www.bbc.co.uk/sounds/play/p0dj9r5m?partner=uk.co.bbc&origin=share-mobile
The Inside No. 9 Christmas special, titled The Bones of St Nicholas, will air on Thursday 22 December at 9pm on BBC Two. The episode will be available to watch on BBC iPlayer shortly after it is first broadcast. The special is 30 minutes long.23rd December, BBC 2, 10pm
I agree with this, and was only discussing his work with a friend a few days ago. I watched the BBC Mezzotint the other night, and the radio story with Simon Callow, both by Gatiss, iirc? I can't quite get along his interpretations of the James/xmas ghost stories. There's always something of an 'anti-climax' to them, a rushed conclusion, almost comic book..
A while back a friend of mine sent me a copy of an LRB review of the Oxford edition of the stories. It's okay, but it repeats some of the clichés I think appear too often, and with too little justification, in reviews of James work. (Sorry, the review doesn't seem to be available online - you'll have to take my word for it.)
For instance:
But the ghosts themselves are so often women, spurned or murdered or guilt-ridden: Mrs Mothersole in ‘The Ash Tree’, Ann Clark in ‘Martin’s Close’, Theodosia Bryan in ‘A Neighbour’s Landmark’ and the terrible figure in ‘a shapeless sort of blackened sun-bonnet’ in ‘Wailing Well’.
Well, actually no. Of the thirty-one stories in my battered old Penguin edition, a grand total of six revolve around female ghosts. (Another one, Lost Hearts, has one of each sex - and the Haunted Dolls House has a mix.) So 'so often women' is not just pushing it, it's more or less nonsense.
Thanks. It seems to be working on the app too now.I see what you mean, and when I search for it in the app nothing comes up. However I've realised it's listed on the front page of the app, and from this I think I've found a page online which should work: https://www.bbc.co.uk/sounds/curation/p0dkmppz?partner=uk.co.bbc&origin=share-mobile
It's a bit of an odd one because it's a collection of random episodes temporarily grouped together rather than a series in its own right. There was a UFO collection like this about a month or so ago
P.S. I'd recommend listening to The Hotel in full rather than one episode. It's quite 'wordy' so perhaps not for everyone, however the episodes are interconnected and overall it's a decent, well crafted tale.
To be honest, the obsession with James (much as I love him) to the exclusion of all else in televised ghost-land depresses me a bit. I can jive with his work having become a sort of a 'seasonal' tradition, however.
There's a wonderful depiction of Edith Wharton's 'Afterwards' on youtube I wonder if any of you have seen it? If not I can link here!
Also It's that time of year again where I cozy down to rewatch the Children of Green knowe "Granneeeeee! Grannneeee!"
To be honest, the obsession with James (much as I love him) to the exclusion of all else in televised ghost-land depresses me a bit. I can jive with his work having become a sort of a 'seasonal' tradition, however...
Totally agree, I always thought the EF Benson story 'The Room in the Tower' would make a good adaptation, the set would be easy to set up as its basically the same country house with just the characters changing. Also Robert Aickman, but I wonder if his subtle 'not quite right' feel would be too difficult to reproduce on TV?Agree entirely. Be nice if some new writers were allowed in too, either to adapt the old favourites or showcase their own work.
The spooky voice just sounds like Sandi reacting to me.I see what you mean, and when I search for it in the app nothing comes up. However I've realised it's listed on the front page of the app, and from this I think I've found a page online which should work: https://www.bbc.co.uk/sounds/curation/p0dkmppz?partner=uk.co.bbc&origin=share-mobile
It's a bit of an odd one because it's a collection of random episodes temporarily grouped together rather than a series in its own right. There was a UFO collection like this about a month or so ago
P.S. I'd recommend listening to The Hotel in full rather than one episode. It's quite 'wordy' so perhaps not for everyone, however the episodes are interconnected and overall it's a decent, well crafted tale.