Long article here, worth a read:
More than just a Carry On?
Caricatured as low-brow and smutty, Carry On films were never much rated by movie critics. But do they tell us something more profound about the huge social changes in post-war Britain? The BBC's Carolyn Quinn (...) thinks so.
A few weeks ago on her Sunday morning radio programme, Gabby Logan made an unintentionally saucy comment and referred to having had a "Carry On moment". Without further explanation you know exactly what she meant.
Almost everyone has seen at least one of the films. Most people have a favourite Carry On scene or cringe-making pun.
The very first Carry On film - Sergeant - came out 50 years ago this August and its appearance spawned a series of 30 over the next two decades. I decided to put in an idea to make a documentary marking the golden anniversary - not the sort that had been made many times before, focusing on the saucy lines and, at times, the desperately sad story of the troupe of actors who became such familiar faces to us all.
Instead, I wanted to examine the amazing social changes society underwent over the 20 years during which Sid James, Charles Hawtrey, Joan Sims, Barbara Windsor and the rest were Carrying On.
Think about it. When Carry on Sergeant, a low budget black and white movie came out in 1958, National Service - the core of its plot - still had a couple of years to run in Britain.
By the time the last film of the main series, Carry on Emmannuelle, was released in 1978, life was very different - the permissive age was in full swing and the post-war era of deference had gone, replaced by the desire to escape the duties and limitations that most of those living in the 40s, 50s and some of the 60s accepted as part of their "lot" in life.
From 1958 to 1978 the Carry On films held up a mirror to British society, its institutions and its rapid changes. National Service ended, the National Health Service expanded rapidly, the sexual revolution arrived, the country faced bouts of industrial strife and working-class families started to holiday abroad.
'Proto-feminist'
Amid the slapstick, the innuendo and the corny puns, the Carry Ons reflected all of this. Derided by highbrow critics, it is only recently that social commentators have come to appreciate them for the unvarnished portrait they paint of a nation in flux.
Take Carry on Cabby (1963) for tentative stirrings of feminism as Hattie Jacques sets up an all-female taxi firm to rival that of husband Sid. 8)
In the words of Daily Telegraph columnist Simon Heffer, Cabbie is "certainly what Germaine Greer would call a proto-feminist film".
By the time of Carry on Girls, 10 years later, bra-burning feminists disrupt a beauty contest in the seaside town of Fircombe. :shock:
While the humour may have been upfront, any social commentary was more subtly conveyed, says Andy Medhurst, lecturer in film, media and cultural studies at Sussex University.
"They weren't films that set out to have an explicit social message but in a paradoxical kind of way that gives them more meaning," says Mr Medhurst. "They capture the way people living humdrum lives with limited horizons found a release in comedy. They seem to encapsulate an everyday life in Britain of that time."
continues....
http://news.bbc.co.uk/1/hi/magazine/7525258.stm
